2024-03-29T12:50:15Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:67952024-03-28ycba:pd
YCBA/lido-TMS-6795
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033973
drawing
300386045
historical subject
300078925
watercolor
300391003
figure study
300033973
Drawing & Watercolor
Howard Visiting a Prison
Circular collector's mark: Xavier Haas (Lugt 4541); oval collector's mark: Xavier Haas (Lugt 4542)
500303557
Yale Center for British Art
http://britishart.yale.edu
B1979.12.665
Not on view
Yale Center for British Art
41.3080060, -72.9306282
14 1/4 x 21 inches (36.2 x 53.3 cm)
width
cm
53.3
height
cm
36.2
Sheet
6795
300054713
production
George Romney, 1734–1802, British
ycba_actor_37
http://isni-url.oclc.nl/isni/0000000081189431
http://libris.kb.se/resource/auth/310718
http://d-nb.info/gnd/118749609
http://viaf.org/viaf/39646668
https://www.wikidata.org/wiki/Q371280
http://vocab.getty.edu/ulan/500115779
http://en.wikipedia.org/wiki/George_Romney_(painter)
http://www.idref.fr/028906497/id
http://id.loc.gov/authorities/names/n50048289
https://n2t.net/ark:/99166/w62b94fs
George Romney
Romney George, 1734–1802
George Romney, 1734–1802
George Romney, 1734–1802
1029010
7000874
7011781
7010221
British
1734
1802
male
300025103
Artist
300025136
painter
300111159
British
between 1749 and 1802
1749
1749
23
18th century-19th century
Black ink with watercolor over graphite on moderately thick moderately textured white laid paper
300011098
graphite
300014184
laid paper
300015045
watercolor
black ink
Art in Focus : John Flaxman Modeling Bust of William Hayley (Yale Center for British Art, 2010-02-04 - 2010-05-30)
708
https://britishart.yale.edu/node/636
300054766
exhibition
Art in Focus : John Flaxman Modeling Bust of William Hayley
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
http://id.loc.gov/authorities/names/n77005277
British Art Center
YCBA
BAC
Yale Center for British Art
1977
0
300311675
Borrower
2010-02-04 - 2010-05-30
2010-02-04
2010-05-30
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Art in Focus is an academic initiative for members of the Yale Center for British Art Student Guide Program, through which students are introduced to every aspect of exhibition practice. Students intensify their engagement with the Center’s collections, strengthen their research skills, and test writing in new formats. Student curators select objects for exhibition, write text panels and object labels, and make decisions about installation. — —
Art in Focus: John Flaxman Modeling Bust of William Hayley was the third exhibition of the Art in Focus initiative. It examined George Romney’s complex group portrait of 1795, depicting John Flaxman sculpting a monumental bust of the poet William Hayley, with assistance from Thomas Alphonso Hayley, Flaxman’s apprentice and Hayley’s son; the painting also includes a self-portrait of Romney at the edge of the canvas. The exhibition investigated the painting from multiple perspectives, using it as a jumping-off point for exploring the four artists’ relationships to their media and to each other. — —
The exhibition featured a medallion by Thomas Alphonso—one of only two surviving works by the prodigy—and William Hayley’s published life of his son, both gifts to the Center by Professor Charles Ryskamp, Director Emeritus of the Pierpont Morgan Library and the Frick Collection. Through this group of objects, as well as letters, prints, and drawings, the exhibition addressed questions of the professional and personal relationships among the sitters, the nature of male friendship in the period, and the complex history of the portrait’s ownership. Art in Focus: John Flaxman Modeling Bust of William Hayley also included important new technical information about the group portrait gathered during recent analysis under the oversight of Mark Aronson, the Center’s Chief Conservator of Paintings. — —
Credits — —
Student Guide curators of this exhibition were Page Benkowski (ES ’09), Nicole Espy (PC ’09), Samo Gale (MC ’10), Andrew Lee (BR ’09), Yinshi Lerman-Tan (MC ’11), Minghao Liu (JE ’09), Nick Robbins (BC ’10), and Margaret Tung (CC ’10). They worked under the guidance of Professor Ryskamp, as well as members of the Center’s staff, including Matthew Hargraves, Assistant Curator for Collections Research; Linda Friedlaender, Curator of Education; and Jennifer Kowitt, Postgraduate Research Associate in the Education department.
Yale Center for British Art
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
239
300054766
exhibition
British Vision - Observation and Imagination in British Art
Yale Center for British Art
Museum of Fine Arts Ghent
ycba_actor_6962
Museum of Fine Arts Ghent
0
0
300311675
Borrower
2007-10-06 - 2008-01-13
2007-10-06
2008-01-13
Museum of Fine Arts Ghent
ycba_actor_6962
Museum of Fine Arts Ghent
Gent
7007887
Gent
6795
8044288
N6767 B78 2007 + OVERSIZE (YCBA)
183914451
527
300054686
publication event
Robert Hoozee, ^British vision : observation and imagination in British art, 1750-1950, ^, Mercatorfonds Museum voor Schone Kunsten, Brussels , Ghent, 2007, p. 338, no. 225, fig. 225, N6767 B78 2007 + OVERSIZE (YCBA)
Yale Center for British Art
Robert Hoozee
ycba_actor_8609
Hoozee Robert
300025492
Author
Mercatorfonds Museum voor Schone Kunsten
ycba_actor_8610
Mercatorfonds Museum voor Schone Kunsten
300025574
Publisher
2007
2007
2007
Brussels , Ghent
6795
8196675
NJ18.R65 M39 2007A OVERSIZE (YCBA)
701820315
3519
300054686
publication event
Suzanne E. May, ^" Sublime and infernal reveries " : George Romney and the creation of an eighteenth-century history painter, Thesis (Ph.D.) -- John Moores University, Liverpool, 2007 ^, British Thesis Service, Boston Spa, Wetherby, April 2007, v. 1, p. 112, v. 2, fig. 103, NJ18.R65 M39 2007A OVERSIZE (YCBA)
Yale Center for British Art
Suzanne E. May
ycba_actor_12288
May Suzanne E.
300025492
Author
British Thesis Service
ycba_actor_12289
British Thesis Service
300025574
Publisher
April 2007
2007
2007
Boston Spa, Wetherby
6795
422
NJ18 R65 S46
37882
3506
300054686
publication event
Smith College Museum of Art, ^The drawings of George Romney ; an exhibition held from May to September 1962 at the Smith College Museum of Art , Northampton, Mass.^, Northampton, MA, 1962, cat. no. 80, pl. XXXVI, NJ18 R65 S46
Yale Center for British Art
Smith College Museum of Art
ycba_actor_1637
http://id.loc.gov/authorities/names/n80082291
http://vocab.getty.edu/ulan/500303747
http://www.wikidata.org/entity/Q14715853
https://viaf.org/viaf/134894422
Smith College Museum of Art
300025492
Author
1962
1962
1962
Northampton, MA
6795
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1979-01-01
1979-01-01
1979-01-01
300417644
transfer
300006448
ycba_term_31643
correctional institution
300025945
ycba_term_114139
children
300055837
ycba_term_126684
sublime
300260428
ycba_term_47685
tortured
300054519
ycba_term_7753
nursing
300002654
ycba_term_2036236
baby
300006460
ycba_term_154467
prison
ycba_term_2036505
bodies
300006457
ycba_term_31645
jail
300033898
ycba_term_2036214
historical subject
Robert Hoozee, British vision : observation and imagination in British art, 1750-1950, , Mercatorfonds Museum voor Schone Kunsten, Brussels , Ghent, 2007, p. 338, no. 225, fig. 225, N6767 B78 2007 + OVERSIZE (YCBA)
8044288
N6767 B78 2007 + OVERSIZE (YCBA)
183914451
527
related to
Suzanne E. May, " Sublime and infernal reveries " : George Romney and the creation of an eighteenth-century history painter, Thesis (Ph.D.) -- John Moores University, Liverpool, 2007, British Thesis Service, Boston Spa, Wetherby, April 2007, v. 1, p. 112, v. 2, fig. 103, NJ18.R65 M39 2007A OVERSIZE (YCBA)
8196675
NJ18.R65 M39 2007A OVERSIZE (YCBA)
701820315
3519
related to
Smith College Museum of Art, The drawings of George Romney ; an exhibition held from May to September 1962 at the Smith College Museum of Art , Northampton, Mass., Northampton, MA, 1962, cat. no. 80, pl. XXXVI, NJ18 R65 S46
422
NJ18 R65 S46
37882
3506
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
6795
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:6795
oai:tms.ycba.yale.edu:6795
https://manifests.collections.yale.edu/v2/ycba/obj/6795
https://manifests.collections.yale.edu/ycba/obj/6795
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art