2024-03-28T21:53:18Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:732982024-03-27ycba:ps
YCBA/lido-TMS-73298
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300015637
portrait
300033618
painting
300033618
Painting
Miss Puxley
[1826, Royal Academy of Arts, London, exhibition catalogue]
500303557
Yale Center for British Art
http://britishart.yale.edu
B2016.23.2
https://www.wikidata.org/wiki/Q46659850
Not on view
Yale Center for British Art
41.3080060, -72.9306282
36 × 28 inches (91.4 × 71.1 cm)
height
cm
91.4
width
cm
71.1
43 × 36 × 3 1/2 inches (109.2 × 91.4 × 8.9 cm)
height
cm
109.2
width
cm
91.4
depth
cm
8.9
Frame
73298
300054713
production
John Linnell, 1792–1882, British
ycba_actor_92
http://id.loc.gov/authorities/names/n81025491
http://isni-url.oclc.nl/isni/0000000082510952
http://d-nb.info/gnd/126790485
http://viaf.org/viaf/65009939
http://vocab.getty.edu/ulan/500009084
https://n2t.net/ark:/99166/w68p6wzs
http://en.wikipedia.org/wiki/John_Linnell_(cabinet_maker)
http://www.oxforddnb.com/view/article/16740?docPos=1
http://vocab.getty.edu/ulan/500009669
https://www.wikidata.org/wiki/Q250732
John Linnell
John Linnell the Elder
John Linnell le vieux
John Linnel
John Linnell II
Linnell, John, 1729-1796
Linnell John, 1792–1882
John Linnell, 1792–1882
John Linnell, 1792–1882
1030419
7011781
British
1792
1882
male
300025103
Artist
300025164
printmaker
300025136
painter
300112172
draftsman (artist)
300237351
portrait painter
300111159
British
1826
1826
1826
24
19th century
Oil on canvas
300015050
oil paint
300014078
canvas
300054216
painting (technique)
73298
3670665
NJ18 L658 L55 1994 OVERSIZE (YCBA)
31268169
3654
300054686
publication event
David Linnell, ^Blake, Palmer, Linnell & Co. : The Life of John Linnell^, Book Guild, Sussex, 1994, p. 99, 102, NJ18 L658 L55 1994 OVERSIZE (YCBA)
Yale Center for British Art
David Linnell
ycba_actor_12452
Linnell David
300025492
Author
Book Guild
ycba_actor_8938
Book Guild
300025574
Publisher
1994
1994
1994
Sussex
73298
3649104
N5054 A53 50-64 (LC)
05398471
4407
300054686
publication event
Royal Academy of Arts, ^Exhibition of the Royal Academy, 1826 : the Fifty-Eigth^, , , London, p. 15, No. 58, N5054 A53 50-64 (LC)
Yale Center for British Art
Royal Academy of Arts
ycba_actor_5870
http://id.loc.gov/authorities/names/n80032672
http://vocab.getty.edu/ulan/500115632
http://www.wikidata.org/entity/Q270920
https://viaf.org/viaf/153543255
Royal Academy of Arts
300025492
Author
0
0
London
73298
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
2016-11-01
2016-11-01
2016-11-01
300417642
purchase
During the 1820s, John Linnell relied on society portraiture to provide an income to support his growing family. He later recalled that he had painted portraits to live but lived to paint poetical landscapes. In 1826 he was commissioned by the copper magnate John Lavallin Puxley of Dunboy Castle, County Cork, Ireland, to paint pendant portraits of two of his daughters for the fee of 75 guineas each. They were exhibited with the Royal Academy in 1826. Linnell depicts the sisters as fashionably dressed young women framed by classical architecture; yet, unsurprisingly, he devotes a lavish attention to the landscapes behind the sitters. Painted in a freer manner, with the greens and blues of earth and sky extending into the distance with dramatic chiaroscuro, Linnell’s treatment of these landscapes stands in stark contrast to his handling of the sisters and the shallow spaces they occupy.
--- --- Gallery label for A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
73298
300048722
Gallery label
2017-06-26
During the 1820s, John Linnell relied on society portraiture to provide and income to support his growing family. He later recalled that he had painted portraits to live but lived to paint poetical landscapes. In 1826 he was commissioned by the copper magnate John Lavallin Puxley of Dunboy Castle, County Cork, Ireland, to paint pendant portraits of two of his daughters for the fee of 75 guineas each. They were exhibited with the Royal Academy in 1826. Linnell depicts the sisters as fashionably dressed young women framed by classical architecture; yet, unsurprisingly, he devotes a lavish attention to the landscapes behind the sitters. Painted in a freer manner, with the greens and blues of earth and sky extending into the distance with dramatic chiaroscuro, Linnell's treatment of these landscapes stands in stark contrast to his handling of the sisters and the shallow spaces they occupy.
--- --- Gallery label for installation of YCBA collection, 2016
73298
300048722
Gallery label
2016
300015637
ycba_term_32667
portrait
David Linnell, Blake, Palmer, Linnell & Co. : The Life of John Linnell, Book Guild, Sussex, 1994, p. 99, 102, NJ18 L658 L55 1994 OVERSIZE (YCBA)
3670665
NJ18 L658 L55 1994 OVERSIZE (YCBA)
31268169
3654
related to
Royal Academy of Arts, Exhibition of the Royal Academy, 1826 : the Fifty-Eigth, , , London, p. 15, No. 58, N5054 A53 50-64 (LC)
3649104
N5054 A53 50-64 (LC)
05398471
4407
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Fund
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
73298
300133025
(not defined)
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:73298
oai:tms.ycba.yale.edu:73298
https://manifests.collections.yale.edu/v2/ycba/obj/73298
https://manifests.collections.yale.edu/ycba/obj/73298
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art