2024-03-29T08:32:37Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:737632024-03-28ycba:pd
YCBA/lido-TMS-73763
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033973
drawing
300391003
figure study
300033973
Drawing & Watercolor
Figure Study
Watermark: "MICHALLET"
500303557
Yale Center for British Art
http://britishart.yale.edu
B2016.36.42
Not on view
Yale Center for British Art
41.3080060, -72.9306282
24 1/2 × 19 inches (62.2 × 48.3 cm)
height
cm
62.2
width
cm
48.3
Sheet
73763
300054713
production
Augustus Edwin John, 1878–1961, British
ycba_actor_578
http://id.loc.gov/authorities/names/n50038612
http://vocab.getty.edu/ulan/500018892
https://n2t.net/ark:/99166/w6j1092r
https://www.wikidata.org/wiki/Q562540
https://viaf.org/viaf/209346688
Augustus Edwin John
John Augustus Edwin, 1878–1961
Augustus Edwin John, 1878–1961
Augustus Edwin John, 1878–1961
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7008846
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1029264
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British
1878
1961
male
300025103
Artist
300025136
painter
300111159
British
undated
1893
1961
25
19th century-20th century
Black chalk and graphite on medium, slightly textured, cream laid paper
300011098
graphite
300080058
black chalk
300014184
laid paper
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
946
https://britishart.yale.edu/node/461
300054766
exhibition
A Decade of Gifts and Acquisitions
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
2017-06-01 - 2017-08-13
2017-06-01
2017-08-13
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
The Yale Center for British Art first opened to the public in April 1977. In celebration of this fortieth anniversary, a suite of exhibitions showcased the most recent additions to the Center’s exceptional collection of British art. Offering visitors a behind-the-scenes look at the growth and evolution of the collection, the displays featured several groupings of newly acquired works—some organized thematically, others focused on specific artists, such as the abstract painter John Golding, and some highlighting individual gifts to the Center, including from the institution’s founder, Paul Mellon (Yale College, Class of 1929). — —
Mr. Mellon’s final gifts to the Center were largely intimate, personal objects with which he and his wife Rachel Lambert Mellon enjoyed living, and many of which she possessed until her death in 2014. They ranged from James Seymour’s The Chaise Match Run on Newmarket Heath on Wednesday the 29th of August 1750 (1750) to a group of eight paintings by the pre-eminent British modernist Ben Nicholson, which augmented the Center’s existing collection of eight works by the artist originally assembled by Mr. Mellon. Gifts from other significant donors, such as Joseph McCrindle and Brian Sewell, were also featured. Highlights from the McCrindle and Sewell bequests included paintings and drawings by Augustus John, fashionable society portraits by Sir William Orpen and Glyn Warren Philpot, and a number of works by the landscape and still-life painter Eliot Hodgkin. — —
Other exhibitions were thematic, focusing on childhood and education, war and conflict, and the natural world. The works here were chosen primarily from recent additions to the Center’s collection of rare books and manuscripts. Among the objects on display included an early map sampler (1806) by a nine-year-old girl; a manuscript by a French naval officer who took part in the Battle of Trafalgar (1805); a Second World War silk escape map; a rare early sciagraph (X-ray) of a lizard from a series of images of British reptiles (1897); and a number of works by contemporary artists, such as Barbara Ciurej and Lindsay Lochman, whose portfolio of cyanotype prints (Natural History, 2014) was inspired by the work of the nineteenth-century naturalist Anna Atkins. — —
A display of modern and contemporary prints featured two outstanding print portfolios shown in their entirety for the first time at the Center—Shadow IV (2011), by Anish Kapoor, and Thirty Pieces of Silver (2015), by Cornelia Parker, as well as prints by Richard Hamilton and other exponents of British pop art. — —
Some of the most important additions to the Center’s outstanding collection of historic British drawings, including masterpieces in watercolor by Thomas Girtin and David Cox, were showcased in another section. — —
Known as an outstanding teacher, writer, and curator, John Golding was first and foremost a painter. The display John Golding: From the Artist’s Estate drew extensively on the rich gift of his work to the Center that charts his journey from figurative art to abstraction.
Objects that document the experience of British India were also highlighted here. Works by both British and Indian artists provided a visual record of the subcontinent for British and continental audiences. — —
Works in pastel have been a collecting focus of the Center in recent years. This exhibition brought together pastel portraits, with more unusual uses of the medium in landscape and in copying old master paintings. Other portraits, studies for portraits, and portrait miniatures in a variety of graphic media were on display, including works by Sir Peter Lely and Sir Thomas Lawrence.
Over the last decade, the Center’s photographic holdings have grown dramatically through gift and purchase. On view were works from pioneering British photographer Roger Fenton to twentieth-century photographers Bill Brandt, Cecil Beaton, Lewis Morley, and contemporary artist Yinka Shonibare MBE (RA). — —
Credits — —
A Decade of Gifts and Acquisitions was curated by Elisabeth Fairman, Chief Curator of Rare Books and Manuscripts; Matthew Hargraves, Chief Curator of Art Collections; Lars Kokkonen, Assistant Curator of Paintings and Sculpture; and Sarah Welcome, Assistant Curator of Rare Books and Manuscripts; under the direction of Scott Wilcox, Deputy Director for Collections.
Yale Center for British Art
73763
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
2016-12-28
2016-12-28
2016-12-28
300079440
bequest
300025928
ycba_term_35274
man
300189559
ycba_term_106
male
ycba_term_2039223
foot
300189568
ycba_term_42061
nude
300189808
ycba_term_2036237
figure study
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Estate of Brian Sewell
300055598
© Estate of the Artist
300435434
https://rightsstatements.org/vocab/InC/1.0/
73763
300133025
(not defined)
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:73763
oai:tms.ycba.yale.edu:73763
https://manifests.collections.yale.edu/v2/ycba/obj/73763
https://manifests.collections.yale.edu/ycba/obj/73763
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art