2024-03-29T06:25:36Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:8502024-03-28ycba:ps
YCBA/lido-TMS-850
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033618
painting
300451718
religious and mythological subject
300033618
Painting
The Angel of Mercy
500303557
Yale Center for British Art
http://britishart.yale.edu
B1981.25.362
https://www.wikidata.org/wiki/Q23759910
Not on view
Yale Center for British Art
41.3080060, -72.9306282
23 1/2 x 19 inches (59.7 x 48.3 cm)
height
cm
59.7
width
cm
48.3
29 × 33 1/2 × 3 1/4 inches (73.7 × 85.1 × 8.3 cm)
height
cm
73.7
width
cm
85.1
depth
cm
8.3
Frame
850
300054713
production
Joseph Highmore, 1692–1780, British
ycba_actor_35
http://id.loc.gov/authorities/names/n88097702
https://viaf.org/viaf/59886794
http://vocab.getty.edu/ulan/500021340
https://n2t.net/ark:/99166/w6wt36kd
https://www.wikidata.org/wiki/Q1707243
Joseph Highmore
Highmore, Joseph, 1692-1780
Highmore Joseph, 1692–1780
Joseph Highmore, 1692–1780
Joseph Highmore, 1692–1780
7011781
7012044
British
1692
1780
male
300025103
Artist
300025136
painter
Formerly William Hogarth, 1697–1764, British
ycba_actor_36
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX1115646
http://en.wikipedia.org/wiki/William_Hogarth
http://id.ndl.go.jp/auth/ndlna/00468453
https://www.wikidata.org/wiki/Q171344
http://d-nb.info/gnd/118552805
http://id.loc.gov/authorities/names/n80126106
http://isni-url.oclc.nl/isni/0000000120993749
http://libris.kb.se/resource/auth/260633
http://viaf.org/viaf/17268409
http://vocab.getty.edu/ulan/500004242
http://www.idref.fr/03051312X/id
https://n2t.net/ark:/99166/w6qj7ftn
Hogarth, William, 1697-1764
William Hogarth
William Horarth
Hogarth William, 1697–1764
William Hogarth, 1697–1764
Formerly William Hogarth, 1697–1764
7011781
7011781
British
1697
1764
male
300025103
Artist
300025165
engraver (printmaker)
300025136
painter
300025164
printmaker
300025514
satirist
300112172
draftsman (artist)
300237351
portrait painter
300024987
architect
Formerly
ca. 1746
1741
1751
22
18th century
Oil on canvas
300014078
canvas
300230810
oil paint
300054216
painting (technique)
Basic Instincts (The Foundling Museum, 2017-09-29 - 2018-01-07)
893
300054766
exhibition
Basic Instincts
Yale Center for British Art
The Foundling Museum
ycba_actor_12109
http://vocab.getty.edu/ulan/500303594
The Foundling Museum
0
0
2017-09-29 - 2018-01-07
2017-09-29
2018-01-07
The Foundling Museum
ycba_actor_12109
http://vocab.getty.edu/ulan/500303594
The Foundling Museum
London
7011781
London
Enlightened Princesses - Caroline, Augusta, Charlotte, and the Shaping of the Modern World (Yale Center for British Art, 2017-02-02 - 2017-04-30)
925
https://britishart.yale.edu/node/463
300054766
exhibition
Enlightened Princesses - Caroline, Augusta, Charlotte, and the Shaping of the Modern World
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
2017-02-02 - 2017-04-30
2017-02-02
2017-04-30
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
This exhibition explored the story of three remarkable German princesses: Caroline of Ansbach, Augusta of Saxe-Gotha, and Charlotte of Mecklenberg-Strelitz, all of whom married into the British royal family in the eighteenth century. Caroline and Charlotte became queens consort to George II and George III respectively; Princess Augusta never achieved this distinction but held the titles of Princess of Wales and Princess Dowager, and was mother to King George III.
Through their wide-ranging intellectual, social, and political interests, Caroline, Augusta, and Charlotte helped to shape court culture and the age in which they lived, and would leave a lasting legacy. They encouraged the greatest philosophers, scientists, artists, and architects of the day; and they brought art, music, dance, enlightened conversation, and experimentation into the palaces and royal gardens, and supported industry, trade, and imperial ambition. The exhibition included many important works of art and manufacture that belonged to these women and their families, or were commissioned by them. Works by Hans Holbein, William Kent, Allan Ramsay, Sir Joshua Reynolds, George Stubbs, Thomas Gainsborough, Johan Zoffany, and many more were on display. The artist Yinka Shonibare MBE (RA) (b. 1962) also created a sculpture, Mrs Pinckney and the Emancipated Birds of South Carolina (2017), specifically for this exhibition. — —
Enlightened Princesses focused on five themes, explaining the princesses’ activities and interlocking contributions over the course of their lifetimes. Firstly, “Cultures of Learning: Powerful Conversations” examined how Caroline, Augusta, and Charlotte built pivotal relationships with leading cultural and intellectual figures of their age, and the far-reaching consequences of those exchanges. This lead into a consideration of “The Court as a Stage,” not only in the literal sense for the performance of music, dance, and theater but also as a political and cultural arena in which the princesses had to navigate the inherently political nature of public and private life. “Royal Women: Mothers of the Nation” considered the princesses’ engagement with evolving contemporary philosophies about childhood, both as active contributors to the educational programs devised for their own children and in their public roles as encouragers and protectors committed to the development of wide-reaching philanthropic projects. Next, “To Promote and Protect: The Princesses and the Wider World” showed how the princesses supported enterprising industrialists and furnished their own homes and developed their gardens so as to champion national manufacturers and the produce of empire. Finally, a concluding section on “Political Gardening” showed how Caroline, Augusta, and Charlotte explored contemporary garden philosophies and exercised their architectural ambitions for both personal and political ends, all the while reacting to a volatile commercial environment as well as a changing perception of the bonds between the dynasty, nationhood, and empire. — —
Credits — —
Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World ?was a collaboration between Historic Royal Palaces and the Yale Center for British Art. The exhibition was also on view at Kensington Palace from June 22 to November 12, 2017. The lead curator was Joanna Marschner, Senior Curator at Historic Royal Palaces, assisted by Samantha Howard, Curatorial Assistant. The organizing curator at the Center was Amy Meyers, Director, who was assisted by Lisa Ford, Assistant Director of Research; Glenn Adamson, Senior Research Associate; and Tyler Griffith, Postdoctoral Research Associate. — —
The exhibition was accompanied by a publication of the same title, a beautifully illustrated catalogue of works edited by Joanna Marschner, with the assistance of David Bindman and Lisa Ford. Co-published with Historic Royal Palaces in association with Yale University Press, the book features contributions by an international team of scholars.
Yale Center for British Art
William Hogarth - A Selection of Painting from the Collection of Mr. and Mrs. Paul Mellon (National Gallery of Art, 1971-02-12 - 1971-05-30)
641
300054766
exhibition
William Hogarth - A Selection of Painting from the Collection of Mr. and Mrs. Paul Mellon
Yale Center for British Art
National Gallery of Art
ycba_actor_1651
http://www.wikidata.org/entity/Q214867
http://vocab.getty.edu/ulan/500115983
https://n2t.net/ark:/99166/w69638c2
https://viaf.org/viaf/157699250
http://id.loc.gov/authorities/names/n79054426
Earl A. Powell III
Naomi R. Remes
Sally Freitag Registrar
Stephenie Belt
Washington, D.C., National Gallery of Art
National Gallery of Art
0
0
300311675
Borrower
1971-02-12 - 1971-05-30
1971-02-12
1971-05-30
National Gallery of Art
ycba_actor_1651
http://id.loc.gov/authorities/names/n79054426
http://vocab.getty.edu/ulan/500115983
http://www.wikidata.org/entity/Q214867
https://n2t.net/ark:/99166/w69638c2
https://viaf.org/viaf/157699250
National Gallery of Art
Washington
7013962
Washington
850
Available Online
4084
300054686
publication event
Naomi Clifford, ^Basic Instincts, The art of Joseph Highmore at the Foundling Museum, https://www.naomiclifford.com/basic-instincts-the-art-of-joseph-highmore-at-the-foundling-museum/ ^, Love, Life and Death in the Georgian Era, January 11, 2018, Available Online
Yale Center for British Art
Naomi Clifford
ycba_actor_13156
Clifford Naomi
300025492
Author
January 11, 2018
2018
2018
850
583000
N590.2 A83 (YCBA)
13422488
323
300054686
publication event
Malcolm Cormack, ^Concise Catalogue of Paintings in the Yale Center for British Art^, Yale Center for British Art, New Haven, CT, 1985, pp. 120-121, N590.2 A83 (YCBA)
Yale Center for British Art
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1985
1985
1985
New Haven, CT
850
13044431
NX543 +.E55 2017 Oversize (YCBA)
952855371
3911
300054686
publication event
Joanna Marschner, ^Enlightened Princesses : Caroline, Augusta, Charlotte, and the Shaping of the Modern World^, Yale University Press, New Haven, Conn, 2017, p. 416, 423, fig. 25.01, 25.08, NX543 +.E55 2017 Oversize (YCBA)
Yale Center for British Art
Joanna Marschner
ycba_actor_12867
Marschner Joanna
300025526
editor
David Bindman
ycba_actor_1353
Bindman David
300025526
editor
Lisa Ford
ycba_actor_9448
Ford Lisa
300025526
editor
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
2017
2017
2017
New Haven, Conn
850
13350787
NJ18.H4888 R53 2017 (YCBA)
975362924
4035
300054686
publication event
Jacqueline Riding, ^Basic Instincts Love, Passion and Violence in the Art of Joseph Highmore^, Paul Holberton Publishing, London, p. 112, fig. 94, NJ18.H4888 R53 2017 (YCBA)
Yale Center for British Art
Jacqueline Riding
ycba_actor_13062
Riding Jacqueline
300025492
Author
Paul Holberton Publishing
ycba_actor_10681
Paul Holberton Publishing
300025574
Publisher
0
0
London
850
12005534
4100
300054686
publication event
Kristen Tambling, ^The Foundling Museum brings Joseph Highmore out of the shadows, ^, Apollo, October 10, 2017, [[https://www.apollo-magazine.com/the-foundling-museum-brings-joseph-highmore-out-of-the-shadows/?utm_source=Adestra&utm_medium=email&utm_campaign=20171014_Weekly_Round_Up_41]]
Yale Center for British Art
Kristen Tambling
ycba_actor_13183
Tambling Kristen
300025492
Author
October 10, 2017
2017
2017
850
478390
N1 A75 v. 35:3 (YCBA)
03952807
2489
300054686
publication event
^The Mere relation of the sufferings of others, Highmore, history painting and the Foundling Hospital ^, Art History, vol. 35, no. 3, June 2012, pp. 545-553, figs. 15, 17, N1 A75 v. 35:3 (YCBA) Also available online (ORBIS)
Yale Center for British Art
June 2012
2012
2012
850
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1981
1981
1981
300138913
gift
300056036
ycba_term_517
shadows
300046159
ycba_term_154516
robe
300002654
ycba_term_2036236
baby
300025945
ycba_term_114139
children
ycba_term_2036413
angels
ycba_term_2036420
wings
300129784
ycba_term_1925
white (color)
300025943
ycba_term_35295
woman
300008746
ycba_term_32385
cave
ycba_term_2046879
religious and mythological subject
Naomi Clifford, Basic Instincts, The art of Joseph Highmore at the Foundling Museum, https://www.naomiclifford.com/basic-instincts-the-art-of-joseph-highmore-at-the-foundling-museum/, Love, Life and Death in the Georgian Era, January 11, 2018, Available Online
Available Online
4084
related to
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 120-121, N590.2 A83 (YCBA)
583000
N590.2 A83 (YCBA)
13422488
323
related to
Joanna Marschner, Enlightened Princesses : Caroline, Augusta, Charlotte, and the Shaping of the Modern World, Yale University Press, New Haven, Conn, 2017, p. 416, 423, fig. 25.01, 25.08, NX543 +.E55 2017 Oversize (YCBA)
13044431
NX543 +.E55 2017 Oversize (YCBA)
952855371
3911
related to
Jacqueline Riding, Basic Instincts Love, Passion and Violence in the Art of Joseph Highmore, Paul Holberton Publishing, London, p. 112, fig. 94, NJ18.H4888 R53 2017 (YCBA)
13350787
NJ18.H4888 R53 2017 (YCBA)
975362924
4035
related to
Kristen Tambling, The Foundling Museum brings Joseph Highmore out of the shadows, , Apollo, October 10, 2017, https://www.apollo-magazine.com/the-foundling-museum-brings-joseph-highmore-out-of-the-shadows/?utm_source=Adestra&utm_medium=email&utm_campaign=20171014_Weekly_Round_Up_41
12005534
4100
related to
The Mere relation of the sufferings of others, Highmore, history painting and the Foundling Hospital, Art History, vol. 35, no. 3, June 2012, pp. 545-553, figs. 15, 17, N1 A75 v. 35:3 (YCBA) Also available online (ORBIS)
478390
N1 A75 v. 35:3 (YCBA)
03952807
2489
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
850
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:850
oai:tms.ycba.yale.edu:850
https://manifests.collections.yale.edu/v2/ycba/obj/850
https://manifests.collections.yale.edu/ycba/obj/850
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art