2024-03-28T19:59:00Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:93022024-03-27ycba:pd
YCBA/lido-TMS-9302
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300108127
abstract art
300178376
planographic print
300041273
Print
PM Zoom from The Institute of Contemporary Arts Portfolio, 1963 (published 1964)
"artist's proof" lower left
Signed and dated lower right: "Richard Smith 63"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1982.15.2
Not on view
Yale Center for British Art
41.3080060, -72.9306282
23 1/16 × 32 9/16 inches (58.6 × 82.7 cm)
height
cm
58.6
width
cm
82.7
Sheet
19 × 30 inches (48.3 × 76.2 cm)
height
cm
48.3
width
cm
76.2
Image
9302
300054713
production
Print made by Richard Smith, 1931–2016, British
ycba_actor_903
http://vocab.getty.edu/ulan/500018299
https://www.wikidata.org/wiki/Q2150623
http://id.loc.gov/authorities/names/n50013257
https://viaf.org/viaf/59968524
Richard Smith
Richard Smith II
Richard IV Smith
Richard Iv Smith
Richard Shirley Smith
Smith Richard, 1931–2016
Richard Smith, 1931–2016
Print made by Richard Smith, 1931–2016
7007567
7011887
British
1931
2016
male
300025103
Artist
300025136
painter
300025164
printmaker
300025181
sculptor
Print made by
300111159
British
1963
1963
1963
26
20th century
Screen print on medium, smooth, white wove paper
300014187
wove paper
screen printing
Just what was it that made British Pop so different, so appealing? (Yale Center for British Art, 2004-01-26 - 2004-05-09)
210
https://britishart.yale.edu/node/674
300054766
exhibition
Just what was it that made British Pop so different, so appealing?
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
63
Organizer
2004-01-26 - 2004-05-09
2004-01-26
2004-05-09
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
The exhibition Richard Hamilton: Prints and Multiples, 1939–2002 was accompanied by Just what was it that made British Pop so different, so appealing?—an exhibition selected from the Center’s permanent collection of prints, drawings, rare books, and manuscripts. Tracing the development of British Pop from its original formulation by the Independent Group in the mid-1950s to its exuberant flowering in the sixties, Just what was it that made British Pop so different, so appealing? featured works by Hamilton’s contemporaries, including Peter Blake, David Hockney, John McHale, R. B. Kitaj, and Eduardo Paolozzi. The exhibition featured two of the most celebrated portfolios of the Pop era, Paolozzi’s As is When and Hockney’s Rake’s Progress, and also included rare material documenting the activities of the Independent Group, selected from the archive of John McHale, one of its founding members. — —
Two documentary films were screened in the exhibition. Fathers of Pop (1979, directed by Reyner Banham and Julian Cooper) charted the creation and activities of the Independent Group. James Scott collaborated closely with Richard Hamilton on the making of the seminal documentary Richard Hamilton (1969, directed by James Scott), and the artist even created the commentary; as Scott noted, “Hamilton was so involved in making the film, you could say it is as much by him as about him.” — —
Credits — —
Just what was it that made British Pop so different, so appealing? was organized by the Yale Center for British Art and curated by Gillian Forrester, Associate Curator of Prints and Drawings; with Sarah Cree and Eric Stryker, PhD candidates in the Department of the History of Art, Yale University. — —
Yale Center for British Art
9302
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1982
1982
1982
300138913
gift
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Gift of R. B. Kitaj
300055598
© Estate of the Artist
300435434
https://rightsstatements.org/vocab/InC/1.0/
9302
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:9302
oai:tms.ycba.yale.edu:9302
https://manifests.collections.yale.edu/v2/ycba/obj/9302
https://manifests.collections.yale.edu/ycba/obj/9302
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art