2024-03-29T01:34:15Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:96392024-03-27ycba:pd
YCBA/lido-TMS-9639
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300078925
watercolor
300015636
landscape
300033973
drawing
300139140
genre subject
300033973
Drawing & Watercolor
Wooded Landscape with Figures
A Wooded Landscape with Figures by a Pool
Collector's mark: Thomas Esmond Lowinsky (Lugt 2420a)
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.4697
https://www.wikidata.org/wiki/Q28796451
Not on view
Yale Center for British Art
41.3080060, -72.9306282
Hayes 803
15 1/2 x 12 1/2 inches (39.4 x 31.8 cm)
width
cm
31.8
height
cm
39.4
Sheet
9639
300054713
production
Thomas Gainsborough, 1727–1788, British
ycba_actor_20
https://n2t.net/ark:/99166/w66w9dj6
http://id.ndl.go.jp/auth/ndlna/00718697
http://www.idref.fr/027381293/id
http://d-nb.info/gnd/118689185
http://isni-url.oclc.nl/isni/0000000108830621
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX969221
http://viaf.org/viaf/29542582
http://en.wikipedia.org/wiki/Thomas_Gainsborough
https://www.wikidata.org/wiki/Q192720
http://id.loc.gov/authorities/names/n79055449
http://libris.kb.se/resource/auth/187859
http://vocab.getty.edu/ulan/500115200
Gainsborough, Thomas, 1727-1788
Thomas Gainsboro
Thomas Gainsbro
Thomas Gainsborough
Gainsborough Thomas, 1727–1788
Thomas Gainsborough, 1727–1788
Thomas Gainsborough, 1727–1788
7008174
7012004
7011378
7011197
7011781
7012014
7008180
British
1727
1788
male
300025103
Artist
300237351
portrait painter
300112172
draftsman (artist)
landscape painter
Royal Academician
300025136
painter
300025164
printmaker
300111159
British
ca. 1788
1783
1793
22
18th century
Black chalk and stumping, with touches of white and red chalk, gray and brown wash, heightened with gouache on moderately thick, slightly textured, cream laid paper
300053412
stumping
300080058
black chalk
300080064
red chalk
300070114
gouache
300014184
laid paper
brown wash
gray wash
white chalk
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
133
https://britishart.yale.edu/node/665
300054766
exhibition
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door "
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
British Art Center
BAC
YCBA
1977
0
300311675
Borrower
66
Lender
2005-10-06 - 2005-12-31
2005-10-06
2005-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Taking as its focal point Thomas Gainsborough’s great landscape painting The Cottage Door, about 1780 (now in The Huntington Library, Art Collections, and Botanical Gardens), this exhibition brought together for the first time a group of paintings, prints, and drawings related to Gainsborough’s pictorial treatment of the cottage and cottage life. These works are some of the first by a British artist to embody the eighteenth-century ideal of sensibility, a movement that encouraged an emotional response to the artless beauty of nature and idealized the life of the rural peasantry. Together, Gainsborough’s scenes of cottage life form a vision of a rustic idyll that resonated powerfully with the metropolitan culture of late-eighteenth-century Britain and had an immediate impact on new modes of thinking about vision and visual perception. — —
The exhibition included modern recreations of models, viewing apparatuses, and period rooms that aimed to evoke for today’s viewers the ideas, objects, and practices that contributed to Gainsborough’s landscape vision and shaped his audiences’ emotional response to his works. The show featured a spectacular recreation of an eighteenth-century sound-and-light show, called an Eidophusikon, the original of which was created in 1781 by Gainsborough’s friend, the artist and theatrical designer Philippe-Jacques de Loutherbourg. — —
Equally exciting was the installation of The Cottage Door within a room specifically created to evoke the “Tent Room” of Sir John Leicester’s Hill Street Gallery, where the painting was displayed to great fanfare in 1818. This modern recreation—complete with fabric tenting, mirrors, and special lighting evoking the glow of oil lamps—allowed twenty-first-century visitors to experience how early viewers would have encountered Gainsborough’s painting. — —
Venues — —
Yale Center for British Art: October 6–December 31, 2005 — —
The Huntington Library, Art Collections, and Botanical Gardens: — —
February 11–May 14, 2006 — —
Credits — —
Sensation and Sensibility: Viewing Gainsborough’s “Cottage Door” was co-organized by the Center and The Huntington. It was curated by Ann Bermingham, Professor of History of Art and Architecture, University of California, Santa Barbara; in collaboration with Julia Marciari Alexander, the Center’s Associate Director for Programmatic Affairs; and Shelley Bennett, Curator of British and European Art at The Huntington. It was generously supported by grants from the Samuel H. Kress Foundation, the National Endowment for the Humanities, and the David T. Langrock Foundation.
Yale Center for British Art
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
104
https://britishart.yale.edu/node/690
300054766
exhibition
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
British Art Center
Yale Center for British Art
BAC
YCBA
1977
0
300025633
Curator
2001-05-19 - 2001-08-05
2001-05-19
2001-08-05
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
The eighteenth century in Britain witnessed an extraordinary flourishing of the practice of drawing, among both professional artists and amateurs. This exhibition of one hundred outstanding drawings and watercolors from the Yale Center for British Art celebrated the richness and diversity of its eighteenth century holdings—rivaled only by the great national collections in London—and examined the professional and social roles played by draftsmanship during the period. Among the highlights were works by William Blake, Alexander and John Robert Cozens, Henry Fuseli, Thomas Gainsborough, Allan Ramsay, Paul Sandby, and William Hogarth (whose controversial and innovative theory of the “Line of Beauty” suggested the title for the exhibition). — —
Ranging from large-scale highly finished exhibition watercolors to informal sketches intended for private use and enjoyment, the drawings were arranged in illuminating thematic and contextual groupings: the portrait, landscape, the city, science and natural history, sports and amusements, and the life of the artist. — —
Credits — —
Curated at the Center by Scott Wilcox, Curator of Prints and Drawings, and Gillian Forrester, Assistant Curator of Prints and Drawings, The Line of Beauty also featured drawing manuals and instructional literature of the period, selected from the Center’s rich collection of rare books.
Yale Center for British Art
Gainsborough Drawings - International Exhibitions Foundation (National Gallery of Art, 1983-10-02 - 1983-12-04)
336
300054766
exhibition
Gainsborough Drawings - International Exhibitions Foundation
Yale Center for British Art
National Gallery of Art
ycba_actor_1651
http://vocab.getty.edu/ulan/500115983
http://www.wikidata.org/entity/Q214867
https://viaf.org/viaf/157699250
https://n2t.net/ark:/99166/w69638c2
http://id.loc.gov/authorities/names/n79054426
National Gallery of Art
Washington, D.C., National Gallery of Art
Naomi R. Remes
Earl A. Powell III
Sally Freitag Registrar
Stephenie Belt
0
0
300311675
Borrower
1983-10-02 - 1983-12-04
1983-10-02
1983-12-04
National Gallery of Art
ycba_actor_1651
http://id.loc.gov/authorities/names/n79054426
http://vocab.getty.edu/ulan/500115983
http://www.wikidata.org/entity/Q214867
https://n2t.net/ark:/99166/w69638c2
https://viaf.org/viaf/157699250
National Gallery of Art
Washington
7013962
Washington
Gainsborough Drawings - International Exhibitions Foundation (Kimbell Art Museum, 1983-12-17 - 1984-02-19)
336
300054766
exhibition
Gainsborough Drawings - International Exhibitions Foundation
Yale Center for British Art
Kimbell Art Museum
ycba_actor_6149
http://www.wikidata.org/entity/Q1741629
https://viaf.org/viaf/148545856
http://vocab.getty.edu/ulan/500305329
http://id.loc.gov/authorities/names/n79021847
Kimbell Art Museum
Patricia DeCoster Registrar
0
0
300311675
Borrower
1983-12-17 - 1984-02-19
1983-12-17
1984-02-19
Kimbell Art Museum
ycba_actor_6149
http://id.loc.gov/authorities/names/n79021847
http://vocab.getty.edu/ulan/500305329
http://www.wikidata.org/entity/Q1741629
https://viaf.org/viaf/148545856
Kimbell Art Museum
Fort Worth
7013934
Fort Worth
Thomas Gainsborough (Tate) (Tate Britain, 1980-10-07 - 1981-01-04)
299
300054766
exhibition
Thomas Gainsborough (Tate)
Yale Center for British Art
Tate Britain
ycba_actor_1284
http://vocab.getty.edu/ulan/500266827
http://www.wikidata.org/entity/Q430682
https://viaf.org/viaf/155600523
http://id.loc.gov/authorities/names/n80046785
Tate Britain
The Board of Trustees of the Tate Gallery
0
0
300311675
Borrower
1980-10-07 - 1981-01-04
1980-10-07
1981-01-04
Tate Britain
ycba_actor_1284
http://id.loc.gov/authorities/names/n80046785
http://vocab.getty.edu/ulan/500266827
http://www.wikidata.org/entity/Q430682
https://viaf.org/viaf/155600523
Tate Britain
London
7011781
London
Thomas Gainsborough (Tate) (Musée du Louvre, 1981-02-07 - 1981-04-26)
299
300054766
exhibition
Thomas Gainsborough (Tate)
Yale Center for British Art
Musée du Louvre
ycba_actor_4726
https://viaf.org/viaf/257711507
http://www.wikidata.org/entity/Q19675
http://vocab.getty.edu/ulan/500125189
http://id.loc.gov/authorities/names/n80020283
Louvre
Musée du Louvre
0
0
1981-02-07 - 1981-04-26
1981-02-07
1981-04-26
Musée du Louvre
ycba_actor_4726
http://id.loc.gov/authorities/names/n80020283
http://vocab.getty.edu/ulan/500125189
http://www.wikidata.org/entity/Q19675
https://viaf.org/viaf/257711507
Musée du Louvre
Paris
7008038
Paris
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
568
300054766
exhibition
English Landscape (Paul Mellon Collection) 1630-1850
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
1977-04-19 - 1977-07-17
1977-04-19
1977-07-17
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
9639
582207
NJ18 .G16 H38 (LC) (YCBA)
09501110
4891
300054686
publication event
Arts Council of Great Britain, ^Gainsborough drawings^, London, 1960, p. 23, no. 59, pl. VI, NJ18 .G16 H38 (LC) (YCBA)
Yale Center for British Art
Arts Council of Great Britain
ycba_actor_8498
Arts Council of Great Britain
300025492
Author
1960
1960
1960
London
9639
5242696
NC228 B37+ (YCBA)
370371
1645
300054686
publication event
John Baskett, ^English drawings and watercolors, 1550-1850, in the Collection of Mr. and Mrs. Paul Mellon ^, The Morgan Library & Museum, New York, 1972, p. 27, no. 36, NC228 B37+ (YCBA)
Yale Center for British Art
John Baskett
ycba_actor_6645
Baskett John
300025492
Author
Dudley Snelgrove, 1906–1992, British
ycba_actor_1853
http://vocab.getty.edu/ulan/500253675
Snelgrove Dudley
300025492
Author
The Morgan Library & Museum
ycba_actor_6644
The Morgan Library & Museum
300025574
Publisher
1972
1972
1972
New York
9639
7080330
NJ18 .G16 S45 2005 + Oversize (YCBA)
58791080
5063
300054686
publication event
Ann Bermingham, ^Sensation & sensibility : viewing Gainsborough's Cottage Door^, Yale University Press, New Haven, 2005, p. 112, no. 80, NJ18 .G16 S45 2005 + Oversize (YCBA)
Yale Center for British Art
Ann Bermingham
ycba_actor_9029
Bermingham Ann
300025526
editor
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
2005
2005
2005
New Haven
9639
579933
NJ18 G16 H393 (YCBA)
1152948097
1612
300054686
publication event
^Gainsborough, 1727-1788, Grand Palais, 6 fâevrier-27 avril 1981. ^, Editions Réunion des Musées Nationaux, Paris, 1981, p. 201, no. 113, NJ18 G16 H393 (YCBA)
Yale Center for British Art
Editions Réunion des Musées Nationaux, French
ycba_actor_4727
http://vocab.getty.edu/ulan/500310800
Réunion des Musées Nationaux
300025574
Publisher
1981
1981
1981
Paris
9639
581587
NJ18 G16 H392 (YCBA)
10075588
2851
300054686
publication event
John T. Hayes, ^Gainsborough drawings^, International Exhibitions Foundation, Washington, D.C., 1983, pp. 192-94, no. 88, NJ18 G16 H392 (YCBA)
Yale Center for British Art
John T. Hayes
ycba_actor_8476
Hayes John T.
300025492
Author
Lindsay Stainton
ycba_actor_9599
Stainton Lindsay
300025492
Author
International Exhibitions Foundation
ycba_actor_8628
International Exhibitions Foundation
300025574
Publisher
1983
1983
1983
Washington, D.C.
9639
49218
NJ18 G16 H39 + (YCBA)
05195125
398
300054686
publication event
John T. Hayes, ^The drawings of Thomas Gainsborough^, The Paul Mellon Centre for Studies in British Art, New Haven London, 1971, vol. 1, p. 293; vol 2, p. 364, no. 803, pl. 349, NJ18 G16 H39 + (YCBA)
Yale Center for British Art
John T. Hayes
ycba_actor_8476
Hayes John T.
300025492
Author
The Paul Mellon Centre for Studies in British Art
ycba_actor_5853
http://id.loc.gov/authorities/names/n79109777
http://vocab.getty.edu/ulan/500301928
http://www.wikidata.org/entity/Q7152454
https://viaf.org/viaf/131545782
The Paul Mellon Centre for Studies in British Art
300025574
Publisher
1971
1971
1971
New Haven London
9639
4311508
NJ18 G16 H48 (YCBA)
702560209
391
300054686
publication event
John T. Hayes, ^Thomas Gainsborough^, Tate Publishing, [S.l., 1980, pp. 71-2, no. 49, NJ18 G16 H48 (YCBA)
Yale Center for British Art
John T. Hayes
ycba_actor_8476
Hayes John T.
300025492
Author
Tate Publishing
ycba_actor_8079
Tate Publishing
300025574
Publisher
1980
1980
1980
[S.l.
9639
134265
NC228 W45 OVERSIZE (YCBA)
501614148
326
300054686
publication event
Christopher White, ^English landscape, 1630-1850, drawings, prints & books from the Paul Mellon Collection ^, Yale Center for British Art, New Haven, 1977, p. 23, no. 36, pl. LXVII, NC228 W45 OVERSIZE (YCBA)
Yale Center for British Art
Christopher White
ycba_actor_8406
White Christopher
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1977
1977
1977
New Haven
9639
4753996
NC228 W53 2001 (YCBA)
47659793
1541
300054686
publication event
Scott Wilcox, ^Line of beauty : British drawings and watercolors of the eighteenth century, ^, Yale Center for British Art, New Haven, CT, 2001, pp. 63-4, no. 49, NC228 W53 2001 (YCBA)
Yale Center for British Art
Scott Wilcox
ycba_actor_1252
Wilcox Scott
300025492
Author
Gillian Forrester, British
ycba_actor_2052
Forrester Gillian
300025492
Author
Morna O'Neill
ycba_actor_9449
O'Neill Morna
300025492
Author
Kim Sloan
ycba_actor_9431
Sloan Kim
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2001
2001
2001
New Haven, CT
9639
112791
NJ18 G16 W665 + OVERSIZE (YCBA)
2689792
2033
300054686
publication event
Mary Woodall, ^Gainsborough's Landscape Drawings^, 1939, p. 120, no. 208, NJ18 G16 W665 + OVERSIZE (YCBA)
Yale Center for British Art
Mary Woodall
ycba_actor_10880
Woodall Mary
300025492
Author
1939
1939
1939
9639
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977-01-01
1977-01-01
1977-01-01
300138913
gift
Thomas Gainsborough is perhaps the most naturally gifted and fluent of all British draftsmen. He seldom produced drawings as finished, saleable works; and, though he did make drawings in preparation for paintings, mostly he drew just for the pleasure it gave him. That pleasure informs the character and quality of his draftsmanship. It was in the act of drawing and in the creation of landscape compositions that he found an escape from the onerous business of painting portraits.
In Gainsborough's landscapes an early naturalism rooted in the example of seventeenth-century Dutch landscape painting is succeeded by, but not wholly gives way to, a more abstract language of landscape forms, which not only recalls aspects of Claude's and Dughet's landscapes but echoes the composite method of Alexander Cozen (cat. 45) [B1975.4.1480]. Both A Hilly Landscape with Figures Approaching a Bridge [B1998.14.1] and A Woodland Pool with Rocks and Plants [B1975.4.1198] date from Gainsborough's period residence in Bath (1759-74). A Hilly Landscape with its flickering light effects and variety of touch embodies the developing Picturesque aesthetic. It also marks a movement away from the Dutch-inspired naturalism of his years in Suffolk to a more synthetic approach, in which his landscapes are constructed from a repertoire of recurring formal elements.
A Woodland Pool With Rocks and Plants demonstrates that Gainsborough had not wholly abandoned natural observation for the play of his fancy. Yet just how natural is this drawing? The Gainsborough scholar John Hayes has characterized the work as "a study from nature," yet we know from Gainsborough's friend Uvedale Price that he assembled in the studio "roots, stones and mosses, from which he formed, and then studied, foregrounds in miniature."
In the hands of theorists such as Price, the idea of the Picturesque was expanded from Gilpin's conception, based on the paintings of Claude, to include rustic and low life genre scenes. Gainsborough's own taste for idyllic scenes of rustic peasant life played a key role in Price's thinking. Wooded Landscape with Figures [B1977.14.4697], a drawing from the end of Gainsborough's life, together with the painting which he developed from it, Peasant Smoking at a Cottage Door (University of California at Los Angeles), represent the culmination and the most monumental statement of this line of imagery in Gainsborough's work. --- ---
Scott Wilcox --- ---
Wilcox, Forrester, O'Neil, Sloan. The Line of Beauty: British Drawings and Watercolors of the Eighteenth Century. Yale Center for British Art, New Haven, 2001. pg. 64 ca. no 49
9639
300111999
Published catalog entry
ycba_actor_1252
Scott Wilcox
300025492
Author
2001-05
300132451
ycba_term_17610
woods
300188975
ycba_term_151400
figures
300002654
ycba_term_2036236
baby
300055474
ycba_term_38768
family
300025931
ycba_term_35279
father
300015636
ycba_term_149705
landscape
0
ycba_term_947102
pond
300015636
ycba_term_149705
landscape
300132410
ycba_term_17587
trees
300139140
ycba_term_2036211
genre subject
300025932
ycba_term_35283
mother
300025945
ycba_term_114139
children
300379798
ycba_term_2036330
branches
ycba_term_2036989
resting
Arts Council of Great Britain, Gainsborough drawings, London, 1960, p. 23, no. 59, pl. VI, NJ18 .G16 H38 (LC) (YCBA)
582207
NJ18 .G16 H38 (LC) (YCBA)
09501110
4891
related to
John Baskett, English drawings and watercolors, 1550-1850, in the Collection of Mr. and Mrs. Paul Mellon, The Morgan Library & Museum, New York, 1972, p. 27, no. 36, NC228 B37+ (YCBA)
5242696
NC228 B37+ (YCBA)
370371
1645
related to
Ann Bermingham, Sensation & sensibility : viewing Gainsborough's Cottage Door, Yale University Press, New Haven, 2005, p. 112, no. 80, NJ18 .G16 S45 2005 + Oversize (YCBA)
7080330
NJ18 .G16 S45 2005 + Oversize (YCBA)
58791080
5063
related to
Gainsborough, 1727-1788, Grand Palais, 6 fâevrier-27 avril 1981., Editions Réunion des Musées Nationaux, Paris, 1981, p. 201, no. 113, NJ18 G16 H393 (YCBA)
579933
NJ18 G16 H393 (YCBA)
1152948097
1612
related to
John T. Hayes, Gainsborough drawings, International Exhibitions Foundation, Washington, D.C., 1983, pp. 192-94, no. 88, NJ18 G16 H392 (YCBA)
581587
NJ18 G16 H392 (YCBA)
10075588
2851
related to
John T. Hayes, The drawings of Thomas Gainsborough, The Paul Mellon Centre for Studies in British Art, New Haven London, 1971, vol. 1, p. 293; vol 2, p. 364, no. 803, pl. 349, NJ18 G16 H39 + (YCBA)
49218
NJ18 G16 H39 + (YCBA)
05195125
398
related to
John T. Hayes, Thomas Gainsborough, Tate Publishing, [S.l., 1980, pp. 71-2, no. 49, NJ18 G16 H48 (YCBA)
4311508
NJ18 G16 H48 (YCBA)
702560209
391
related to
Christopher White, English landscape, 1630-1850, drawings, prints & books from the Paul Mellon Collection, Yale Center for British Art, New Haven, 1977, p. 23, no. 36, pl. LXVII, NC228 W45 OVERSIZE (YCBA)
134265
NC228 W45 OVERSIZE (YCBA)
501614148
326
related to
Scott Wilcox, Line of beauty : British drawings and watercolors of the eighteenth century, , Yale Center for British Art, New Haven, CT, 2001, pp. 63-4, no. 49, NC228 W53 2001 (YCBA)
4753996
NC228 W53 2001 (YCBA)
47659793
1541
related to
Mary Woodall, Gainsborough's Landscape Drawings, 1939, p. 120, no. 208, NJ18 G16 W665 + OVERSIZE (YCBA)
112791
NJ18 G16 W665 + OVERSIZE (YCBA)
2689792
2033
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
9639
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:9639
oai:tms.ycba.yale.edu:9639
https://manifests.collections.yale.edu/v2/ycba/obj/9639
https://manifests.collections.yale.edu/ycba/obj/9639
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art