2024-03-28T11:16:02Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:96442024-03-27ycba:pd
YCBA/lido-TMS-9644
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033973
drawing
300015636
landscape
300078925
watercolor
300033973
Drawing & Watercolor
Wooded Landscape with Herdsman and Cows
Inscribed in William Esdaile's hand in pen and brown ink, on border of old mount: "Gainsborough"; inscribed in William Esdaile's hand in pen and brown ink, verso, lower left: "1825 WE - Bakers sale N95X" (now on slip of paper in docket)
Collector's mark: William Esdaile (Lugt 2617); collector's mark: Thomas Esmond Lowinsky (Lugt 2420a)
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.6066
Not on view
Yale Center for British Art
41.3080060, -72.9306282
Hayes 532
10 7/8 x 14 1/4 inches (27.6 x 36.2 cm)
width
cm
36.2
height
cm
27.6
Sheet
13 7/8 x 17 5/8 inches (35.2 x 44.8 cm)
height
cm
35.2
width
cm
44.8
Mount
9644
300054713
production
Thomas Gainsborough, 1727–1788, British
ycba_actor_20
http://viaf.org/viaf/29542582
http://isni-url.oclc.nl/isni/0000000108830621
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX969221
http://d-nb.info/gnd/118689185
http://vocab.getty.edu/ulan/500115200
http://en.wikipedia.org/wiki/Thomas_Gainsborough
http://www.idref.fr/027381293/id
http://id.ndl.go.jp/auth/ndlna/00718697
https://www.wikidata.org/wiki/Q192720
http://libris.kb.se/resource/auth/187859
http://id.loc.gov/authorities/names/n79055449
https://n2t.net/ark:/99166/w66w9dj6
Gainsborough, Thomas, 1727-1788
Thomas Gainsboro
Thomas Gainsbro
Thomas Gainsborough
Gainsborough Thomas, 1727–1788
Thomas Gainsborough, 1727–1788
Thomas Gainsborough, 1727–1788
7008174
7011197
7011378
7012004
7008180
7012014
7011781
British
1727
1788
male
300025103
Artist
landscape painter
Royal Academician
300112172
draftsman (artist)
300237351
portrait painter
300025136
painter
300025164
printmaker
300111159
British
undated
1742
1788
22
18th century
Gray and black wash with black chalk, pen and black ink, heightened with white chalk on medium, slightly textured, cream laid paper, set into contemporary mount
300080058
black chalk
300014184
laid paper
300022452
pen
gray wash
black ink
white chalk
black wash
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
133
https://britishart.yale.edu/node/665
300054766
exhibition
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door "
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
British Art Center
BAC
YCBA
1977
0
300311675
Borrower
66
Lender
2005-10-06 - 2005-12-31
2005-10-06
2005-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Taking as its focal point Thomas Gainsborough’s great landscape painting The Cottage Door, about 1780 (now in The Huntington Library, Art Collections, and Botanical Gardens), this exhibition brought together for the first time a group of paintings, prints, and drawings related to Gainsborough’s pictorial treatment of the cottage and cottage life. These works are some of the first by a British artist to embody the eighteenth-century ideal of sensibility, a movement that encouraged an emotional response to the artless beauty of nature and idealized the life of the rural peasantry. Together, Gainsborough’s scenes of cottage life form a vision of a rustic idyll that resonated powerfully with the metropolitan culture of late-eighteenth-century Britain and had an immediate impact on new modes of thinking about vision and visual perception. — —
The exhibition included modern recreations of models, viewing apparatuses, and period rooms that aimed to evoke for today’s viewers the ideas, objects, and practices that contributed to Gainsborough’s landscape vision and shaped his audiences’ emotional response to his works. The show featured a spectacular recreation of an eighteenth-century sound-and-light show, called an Eidophusikon, the original of which was created in 1781 by Gainsborough’s friend, the artist and theatrical designer Philippe-Jacques de Loutherbourg. — —
Equally exciting was the installation of The Cottage Door within a room specifically created to evoke the “Tent Room” of Sir John Leicester’s Hill Street Gallery, where the painting was displayed to great fanfare in 1818. This modern recreation—complete with fabric tenting, mirrors, and special lighting evoking the glow of oil lamps—allowed twenty-first-century visitors to experience how early viewers would have encountered Gainsborough’s painting. — —
Venues — —
Yale Center for British Art: October 6–December 31, 2005 — —
The Huntington Library, Art Collections, and Botanical Gardens: — —
February 11–May 14, 2006 — —
Credits — —
Sensation and Sensibility: Viewing Gainsborough’s “Cottage Door” was co-organized by the Center and The Huntington. It was curated by Ann Bermingham, Professor of History of Art and Architecture, University of California, Santa Barbara; in collaboration with Julia Marciari Alexander, the Center’s Associate Director for Programmatic Affairs; and Shelley Bennett, Curator of British and European Art at The Huntington. It was generously supported by grants from the Samuel H. Kress Foundation, the National Endowment for the Humanities, and the David T. Langrock Foundation.
Yale Center for British Art
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14)
133
https://britishart.yale.edu/node/665
300054766
exhibition
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door "
Yale Center for British Art
The Huntington Library, Art Collections, and Botanical Gardens
ycba_actor_2030
http://www.wikidata.org/entity/Q1400558
https://viaf.org/viaf/147236009
http://vocab.getty.edu/ulan/500293829
http://id.loc.gov/authorities/names/n79049138
The Huntington Library, Art Collections, and Botanical Gardens
0
0
300311675
Borrower
66
Lender
2006-02-11 - 2006-05-14
2006-02-11
2006-05-14
The Huntington Library, Art Collections, and Botanical Gardens
ycba_actor_2030
http://id.loc.gov/authorities/names/n79049138
http://vocab.getty.edu/ulan/500293829
http://www.wikidata.org/entity/Q1400558
https://viaf.org/viaf/147236009
The Huntington Library, Art Collections, and Botanical Gardens
San Marino
7014461
San Marino
300435424
Taking as its focal point Thomas Gainsborough’s great landscape painting The Cottage Door, about 1780 (now in The Huntington Library, Art Collections, and Botanical Gardens), this exhibition brought together for the first time a group of paintings, prints, and drawings related to Gainsborough’s pictorial treatment of the cottage and cottage life. These works are some of the first by a British artist to embody the eighteenth-century ideal of sensibility, a movement that encouraged an emotional response to the artless beauty of nature and idealized the life of the rural peasantry. Together, Gainsborough’s scenes of cottage life form a vision of a rustic idyll that resonated powerfully with the metropolitan culture of late-eighteenth-century Britain and had an immediate impact on new modes of thinking about vision and visual perception. — —
The exhibition included modern recreations of models, viewing apparatuses, and period rooms that aimed to evoke for today’s viewers the ideas, objects, and practices that contributed to Gainsborough’s landscape vision and shaped his audiences’ emotional response to his works. The show featured a spectacular recreation of an eighteenth-century sound-and-light show, called an Eidophusikon, the original of which was created in 1781 by Gainsborough’s friend, the artist and theatrical designer Philippe-Jacques de Loutherbourg. — —
Equally exciting was the installation of The Cottage Door within a room specifically created to evoke the “Tent Room” of Sir John Leicester’s Hill Street Gallery, where the painting was displayed to great fanfare in 1818. This modern recreation—complete with fabric tenting, mirrors, and special lighting evoking the glow of oil lamps—allowed twenty-first-century visitors to experience how early viewers would have encountered Gainsborough’s painting. — —
Venues — —
Yale Center for British Art: October 6–December 31, 2005 — —
The Huntington Library, Art Collections, and Botanical Gardens: — —
February 11–May 14, 2006 — —
Credits — —
Sensation and Sensibility: Viewing Gainsborough’s “Cottage Door” was co-organized by the Center and The Huntington. It was curated by Ann Bermingham, Professor of History of Art and Architecture, University of California, Santa Barbara; in collaboration with Julia Marciari Alexander, the Center’s Associate Director for Programmatic Affairs; and Shelley Bennett, Curator of British and European Art at The Huntington. It was generously supported by grants from the Samuel H. Kress Foundation, the National Endowment for the Humanities, and the David T. Langrock Foundation.
Yale Center for British Art
9644
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977-01-01
1977-01-01
1977-01-01
300138913
gift
300025615
ycba_term_34739
herdsman
300343840
ycba_term_2036248
clouds
300015636
ycba_term_149705
landscape
300011872
ycba_term_12555
grass
300011772
ycba_term_10082
water
2441022
ycba_term_2036314
cows
300025928
ycba_term_35274
man
300008321
ycba_term_32257
path
300250148
ycba_term_2036751
horse (animal)
0
ycba_term_947117
pool
300249216
ycba_term_107243
trees
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
9644
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:9644
oai:tms.ycba.yale.edu:9644
https://manifests.collections.yale.edu/v2/ycba/obj/9644
https://manifests.collections.yale.edu/ycba/obj/9644
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art