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oai:tms.ycba.yale.edu:29502026-08-12ycba:pd

YCBA/lido-TMS-2950 http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object Human-Made Object 300015637 portrait 300178376 planographic print 300041273 Print A Man of the Sandwich Islands Inscribed on verso at center, "A Man of the Sandwich Islands"; and below, "With his Helmet--" 500303557 Yale Center for British Art http://britishart.yale.edu B1989.4 https://www.wikidata.org/wiki/Q110245992 Not on view Yale Center for British Art 41.3080060, -72.9306282 9 × 7 3/8 inches (22.9 × 18.7 cm) width cm 18.7 height cm 22.9 Sheet 2950 300054713 production John Webber, 1751–1793, British born in London, England, 1751; active in Switzerland, France, and England; died in London, England, 1793 ycba_actor_449 http://id.loc.gov/authorities/names/nr97009605 http://vocab.getty.edu/ulan/500001459 https://n2t.net/ark:/99166/w62v2pkq https://viaf.org/viaf/120740132 https://www.wikidata.org/wiki/Q323505 John Webber Johann Waber Webber John, 1751–1793 John Webber, 1751–1793 John Webber, 1751–1793 1000070 7008038 7006070 7002443 7011781 7011781 7011781 7007557 7000811 British 1751 1793 male 300025103 Artist 300435136 landscape painter 300025136 painter (artist) 300237351 portrait painter 300025164 printmaker Q8683919 Royal Academician 300111159 British ca. 1784 1779 1789 22 18th century Monotype on medium, slightly textured, cream laid paper 300053277 monotype (process) 300014184 laid paper The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01) 182 https://britishart.yale.edu/node/681 https://britishart.yale.edu/node/681 300054766 exhibition The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History Yale Center for British Art Yale Center for British Art ycba_actor_1281 https://www.wikidata.org/wiki/Q6352575 http://vocab.getty.edu/ulan/500303557 https://viaf.org/viaf/155449049 http://id.loc.gov/authorities/names/n77005277 Yale Center for British Art BAC YCBA British Art Center 1977 9999 300025633 Curator 2003-01-23 - 2003-06-01 2003-01-23 2003-06-01 Yale Center for British Art ycba_actor_1281 http://id.loc.gov/authorities/names/n77005277 http://vocab.getty.edu/ulan/500303557 https://viaf.org/viaf/155449049 https://www.wikidata.org/wiki/Q6352575 Yale Center for British Art 300435424 Continuing the comprehensive exploration of British Romantic printmaking begun with The Romantic Landscape Print (September 25–December 29, 2002), this exhibition was selected from the Center’s collections to complement Romantics & Revolutionaries. The exhibition focused on portrait, subject, and narrative prints, investigating themes such as the cult of the hero in the Romantic period, the relationship between literature and the visual arts, and the depiction of contemporary historical events, such as the American and French Revolutions, and the Napoleonic Wars. Among the artists featured were Benjamin West, Henry Fuseli, and J. M. W. Turner, the great visionary artist-engravers William Blake and John Martin, and the subversive twenty-first century heirs of Romanticism, Jake and Dinos Chapman. Special emphasis was placed on techniques and processes. — — Credits — — The exhibition was organized by Gillian Forrester, Associate Curator of Prints and Drawings at the Center, and Eric Stryker, doctoral candidate in the History of Art, Yale University. — — Yale Center for British Art Wilde Americk - Discovery and Exploration of the New World, 1500-1850 (Yale Center for British Art, 2001-09-27 - 2001-09-27) 120 https://britishart.yale.edu/node/687 300054766 exhibition Wilde Americk - Discovery and Exploration of the New World, 1500-1850 Yale Center for British Art Yale Center for British Art ycba_actor_1281 https://www.wikidata.org/wiki/Q6352575 http://vocab.getty.edu/ulan/500303557 https://viaf.org/viaf/155449049 http://id.loc.gov/authorities/names/n77005277 Yale Center for British Art YCBA BAC British Art Center 1977 9999 300025633 Curator 2001-09-27 - 2001-09-27 2001-09-27 2001-09-27 Yale Center for British Art ycba_actor_1281 http://id.loc.gov/authorities/names/n77005277 http://vocab.getty.edu/ulan/500303557 https://viaf.org/viaf/155449049 https://www.wikidata.org/wiki/Q6352575 Yale Center for British Art 300435424 Drawing primarily from the Center’s permanent collection, this exhibition featured some of the great landmarks in the mapping and exploration of the New World, from the great Age of Discovery to the mid-nineteenth century. — — Along with printed maps, atlases, and illustrated travel accounts, some extraordinary manuscript material was exhibited, including the first public display in almost fifty years of a spectacular, hand-drawn terrestrial globe, probably created around 1522 by the astronomer and mathematician Johannes Schoner—the third oldest world sphere to survive. Also on display was John Barnwell’s manuscript map of the southeastern part of North America, drawn in 1721, an important political document forming the basis of subsequent mapping of the area until the American Revolution. The exhibition featured one of the Center’s great treasures, the earliest surviving manuscript map showing the route of Sir Francis Drake’s circumnavigation of 1577–80, produced for Queen Elizabeth I around 1587. — — Credits — — “Wilde Americk” was organized by Elisabeth Fairman, Curator of Rare Books and Archives at the Center. — — Yale Center for British Art 2950 489410 Hf3 Et814 (SML) 01568358 1304 300054686 publication event Philippe Despoix, ^Patagons et Polynesiens^, Etudes Litteraires, vol. 37, no. 3, 2006, p. 72, fig. 5, Hf3 Et814 (SML) Yale Center for British Art Philippe Despoix ycba_actor_9324 Despoix Philippe 300025492 Author 2006 2006 2006 2950 489410 Hf3 Et814 (SML) 01568358 1304 300054686 publication event Philippe Despoix, ^Patagons et Polynesiens^, Etudes Litteraires, vol. 37, no. 3, 2006, p. 72, fig. 5, NJ18 Or35 L57 1897 + (YCBA) Yale Center for British Art Philippe Despoix ycba_actor_9324 Despoix Philippe 300025492 Author 2006 2006 2006 2950 300157782 acquisition Yale Center for British Art ycba_actor_1281 YCBA BAC Yale Center for British Art British Art Center 1977 9999 300203630 Owner 1989 1989 1989 300417642 purchase 300046106 ycba_term_2037703 helmet 300015637 ycba_term_32667 portrait 300025928 ycba_term_35274 man Philippe Despoix, Patagons et Polynesiens, Etudes Litteraires, vol. 37, no. 3, 2006, p. 72, fig. 5, Hf3 Et814 (SML) 489410 Hf3 Et814 (SML) 01568358 1304 related to Philippe Despoix, Patagons et Polynesiens, Etudes Litteraires, vol. 37, no. 3, 2006, p. 72, fig. 5, NJ18 Or35 L57 1897 + (YCBA) 489410 Hf3 Et814 (SML) 01568358 1304 related to 300055603 500303557 Yale Center for British Art https://britishart.yale.edu Yale Center for British Art, Paul Mellon Fund 300055598 Public Domain 300435434 https://creativecommons.org/publicdomain/zero/1.0/ 2950 300133025 Volume 500303557 Yale Center for British Art http://britishart.yale.edu https://collections.britishart.yale.edu/catalog/tms:2950 oai:tms.ycba.yale.edu:2950 https://manifests.collections.yale.edu/v2/ycba/obj/2950 https://manifests.collections.yale.edu/ycba/obj/2950 IIIF manifest Yale Center for British Art 500303557 Yale Center for British Art