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oai:tms.ycba.yale.edu:41982026-02-13ycba:pd

YCBA/lido-TMS-4198 http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object Human-Made Object 300033973 drawing 300078925 watercolor 300139140 genre subject 300033973 Drawing & Watercolor Philipines Inscribed in graphite in upper right portion of inscription sheet: "Adelaide Claxton"; in top portion of the inscription sheet in brown ink, centered: "Philipines" | This represents the game of Philipines which is one of the greatest amusements of a long sea voyage - The Captain if he is a good natured one always encourages as many of this kind as possible, otherwise | if people shack up together for 3 or 4 months are sure to quarrel, and sometimes a duel on landing has been talked about if the attentions of the passengers has not been distracted by dancing games [...] - Landfolks Ca[...] | [...] agree the excitement that Philipines make - some don't even know what the ceremony is. The desert almonds are put on the table with the shells on. Whoever has a double almond gives one to a neighbour or friend and eats | the corresponding half. After that there is no more to be done until the following morning when the Philips [?&] Philipines are on the alert as soon as the stewards are up, lurking about the cabin doors of | their halves - , to whom directly [?than] appears they cry 'freedom [...ing] Philipine or Philip' and whoever says it first expects to receive a very handsome present at the next landing, or sometimes | a lock of hair [...] - as most of them have three or four each it makes great fun - some won't come out of their cabins till breakfast bell rings, some forget all about it, | and loose every one - it is not fairly one unless they see one another. The young ladies at the cabin door have more Philips than they know what to do with. The young gentlemen just marking tracks around the corner of the ladder [?with] the [...] [?open] [?countenances] has been sitting on those boxes waiting for his prey [?since] any times in the morning he deserves his success. The - [...] with | his head out will be 'done' by the soft treating Philipine creeping up behind him another Philipine takes a mean [...] of her cabins windows blinds opening from the inside to suprise [?&] overcome | the gorgeous creature in checkwork in the foreground." *Please note that the drawing to which these inscriptions refer has been matted with another object, and the sheet of inscriptions remains unmatted. Both the drawing and inscription sheet are located in the same solander box.* 500303557 Yale Center for British Art http://britishart.yale.edu B1993.31.17 https://www.wikidata.org/wiki/Q109970795 Not on view Yale Center for British Art 41.3080060, -72.9306282 5 1/4 × 9 inches (13.3 × 22.9 cm) height cm 13.3 width cm 22.9 Sheet 4198 300054713 production Adelaide Claxton, 1858–1905, British ycba_actor_1069 http://vocab.getty.edu/ulan/500058893 https://viaf.org/viaf/96075795 https://www.wikidata.org/wiki/Q21501349 Adelaide Claxton George G. Turner G. G. Turner Claxton Adelaide, 1858–1905 Adelaide Claxton, 1858–1905 Adelaide Claxton, 1858–1905 7011781 7011781 British 1858 1905 female 300025103 Artist 300025103 artist 300112172 draftsman (artist) 300025123 illustrator 300025136 painter 300025157 watercolorist 300111159 British undated 1873 1905 25 19th century-20th century Pen and black ink, gray wash and graphite on medium, slightly textured, cream wove paper mounted to moderately thick, slightly textured, gray wove paper 300011098 graphite 300014187 wove paper gray wash black ink 4198 9936248103408651 3624810 N6796 C27 1994 (YCBA) 30865904 4470 300054686 publication event Susan P. Casteras, ^A Struggle for Fame: Victorian women artists and authors^, Yale Center for British Art, New Haven, Connecticut, 1994, p. 55, N6796 C27 1994 (YCBA) Yale Center for British Art Susan P. Casteras ycba_actor_8377 Casteras Susan P. 300025492 Author Yale Center for British Art ycba_actor_1281 http://id.loc.gov/authorities/names/n77005277 http://vocab.getty.edu/ulan/500303557 https://viaf.org/viaf/155449049 https://www.wikidata.org/wiki/Q6352575 Yale Center for British Art 300025574 Publisher 1994 1994 1994 New Haven, Connecticut 4198 300157782 acquisition Yale Center for British Art ycba_actor_1281 YCBA BAC Yale Center for British Art British Art Center 1977 0 300203630 Owner 1993 1993 1993 300417642 purchase 300022376 ycba_term_32777 ladder 300139140 ycba_term_2036211 genre subject 300069614 ycba_term_39172 party 300025943 ycba_term_7002 women 300025928 ycba_term_7001 men Susan P. Casteras, A Struggle for Fame: Victorian women artists and authors, Yale Center for British Art, New Haven, Connecticut, 1994, p. 55, N6796 C27 1994 (YCBA) 9936248103408651 3624810 N6796 C27 1994 (YCBA) 30865904 4470 related to 300055603 500303557 Yale Center for British Art https://britishart.yale.edu Yale Center for British Art, Paul Mellon Fund 300055598 Public Domain 300435434 https://creativecommons.org/publicdomain/zero/1.0/ 4198 300133025 Volume 500303557 Yale Center for British Art http://britishart.yale.edu https://collections.britishart.yale.edu/catalog/tms:4198 oai:tms.ycba.yale.edu:4198 https://manifests.collections.yale.edu/v2/ycba/obj/4198 https://manifests.collections.yale.edu/ycba/obj/4198 IIIF manifest Yale Center for British Art 500303557 Yale Center for British Art