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YCBA/lido-TMS-5484 http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object Human-Made Object 300078925 watercolor 300015636 landscape 300015571 cityscape 300033973 drawing 300417318 architectural subject 300033973 Drawing & Watercolor Andernach 500303557 Yale Center for British Art http://britishart.yale.edu B1977.14.4287 https://www.wikidata.org/wiki/Q28795943 Not on view Yale Center for British Art 41.3080060, -72.9306282 Wilton662 7 7/8 x 12 5/8 inches (20 x 32.1 cm) width cm 32.1 height cm 20.0 Sheet 5484 300054713 production Joseph Mallord William Turner, 1775–1851, British born in London, England,1775; active in England; died in London, England, 1851 ycba_actor_21 http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX865570 http://d-nb.info/gnd/11862475X http://en.wikipedia.org/wiki/J._M._W._Turner http://id.loc.gov/authorities/names/n79060712 http://id.ndl.go.jp/auth/ndlna/00459271 http://isni-url.oclc.nl/isni/0000000121454990 http://libris.kb.se/resource/auth/277878 http://viaf.org/viaf/100900492 http://vocab.getty.edu/ulan/500026846 http://www.idref.fr/027332446/id http://www.oxforddnb.com/index/27/101027854/ https://n2t.net/ark:/99166/w6057d6v https://www.wikidata.org/wiki/Q159758 Turner, J. M. W. (Joseph Mallord William), 1775-1851 Joseph Mallord William Turner JMW Turner J. M. W. Turner R. A. Turner Joseph Mallord William, 1775–1851 Joseph Mallord William Turner, 1775–1851 Joseph Mallord William Turner, 1775–1851 7002445 7011781 4012680 British 1775 1851 male 300025103 Artist 300112172 draftsman (artist) 300236992 landscapist 300025136 painter (artist) 300025157 watercolorist 300111159 British 1817 1817 1817 24 19th century Watercolor, gouache, pen and black ink and scratching out on medium, slightly textured, cream wove paper 300070114 gouache 300014187 wove paper 300015045 watercolor scratching out black ink Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17) 500 https://britishart.yale.edu/node/647 300054766 exhibition Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art Yale Center for British Art Yale Center for British Art ycba_actor_1281 https://www.wikidata.org/wiki/Q6352575 http://vocab.getty.edu/ulan/500303557 https://viaf.org/viaf/155449049 http://id.loc.gov/authorities/names/n77005277 201 Yale Center for British Art British Art Center BAC YCBA 1977 0 66 Lender 2008-06-09 - 2008-08-17 2008-06-09 2008-08-17 Yale Center for British Art ycba_actor_1281 http://id.loc.gov/authorities/names/n77005277 http://vocab.getty.edu/ulan/500303557 https://viaf.org/viaf/155449049 https://www.wikidata.org/wiki/Q6352575 Yale Center for British Art 300435424 Great British Watercolors brought together eighty-eight outstanding works in the medium from the Paul Mellon Collection at the Center, including masterpieces by J. M. W. Turner, John Constable, William Blake, Paul Sandby, John Robert Cozens, Thomas Girtin, Thomas Gainsborough, and others. The exhibition was organized as part of the 2007 celebrations commemorating both the Center’s thirtieth anniversary and the centenary of the institution’s founder, Paul Mellon, one of the greatest cultural philanthropists of the twentieth century. In a period of a little over fifteen years, beginning in the early 1960s, Mr. Mellon assembled one of the world’s greatest collections of British drawings and watercolors. As part of his extensive collecting of British art, he purchased several distinguished private collections of British watercolors, enriching and expanding them with astute purchases reflecting his own taste. In his memoirs he praised “the beauty and freshness of English drawings and watercolors, their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” — — Great British Watercolors spanned more than a century of British artistic production, from the emergence of watercolor painting in the mid-eighteenth century to its flowering in the early nineteenth century. The exhibition highlighted the diversity of British watercolor painting, showing both landscapes and figurative works by some of the principal artists who worked in the medium. Paul Mellon’s collecting activity helped to revive the study of British watercolor. — — Venues — — Virginia Museum of Fine Arts, Richmond: — — July 11–September 30, 2007 — — The State Hermitage Museum, St. Petersburg, Russia: — — October 23, 2007–January 13, 2008 — — Yale Center for British Art: — — une 10–August 17, 2008 — — Credits — — Organized by the Center in association with the Virginia Museum of Fine Arts, Richmond, Great British Watercolors was curated by Scott Wilcox, Curator of Prints and Drawings at the Center; Mitchell Merling, Paul Mellon Curator and Head of the Department of European Art, Virginia Museum of Fine Arts; and Matthew Hargraves, Postdoctoral Research Associate in the Department of Paintings and Sculpture at the Center. Yale Center for British Art Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13) 500 https://britishart.yale.edu/node/647 300054766 exhibition Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art Yale Center for British Art The State Hermitage Museum ycba_actor_6557 Olga Ilmenkova The State Hermitage Museum 0 0 300311675 Borrower 2007-10-23 - 2008-01-13 2007-10-23 2008-01-13 The State Hermitage Museum ycba_actor_6557 The State Hermitage Museum 300435424 Great British Watercolors brought together eighty-eight outstanding works in the medium from the Paul Mellon Collection at the Center, including masterpieces by J. M. W. Turner, John Constable, William Blake, Paul Sandby, John Robert Cozens, Thomas Girtin, Thomas Gainsborough, and others. The exhibition was organized as part of the 2007 celebrations commemorating both the Center’s thirtieth anniversary and the centenary of the institution’s founder, Paul Mellon, one of the greatest cultural philanthropists of the twentieth century. In a period of a little over fifteen years, beginning in the early 1960s, Mr. Mellon assembled one of the world’s greatest collections of British drawings and watercolors. As part of his extensive collecting of British art, he purchased several distinguished private collections of British watercolors, enriching and expanding them with astute purchases reflecting his own taste. In his memoirs he praised “the beauty and freshness of English drawings and watercolors, their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” — — Great British Watercolors spanned more than a century of British artistic production, from the emergence of watercolor painting in the mid-eighteenth century to its flowering in the early nineteenth century. The exhibition highlighted the diversity of British watercolor painting, showing both landscapes and figurative works by some of the principal artists who worked in the medium. Paul Mellon’s collecting activity helped to revive the study of British watercolor. — — Venues — — Virginia Museum of Fine Arts, Richmond: — — July 11–September 30, 2007 — — The State Hermitage Museum, St. Petersburg, Russia: — — October 23, 2007–January 13, 2008 — — Yale Center for British Art: — — une 10–August 17, 2008 — — Credits — — Organized by the Center in association with the Virginia Museum of Fine Arts, Richmond, Great British Watercolors was curated by Scott Wilcox, Curator of Prints and Drawings at the Center; Mitchell Merling, Paul Mellon Curator and Head of the Department of European Art, Virginia Museum of Fine Arts; and Matthew Hargraves, Postdoctoral Research Associate in the Department of Paintings and Sculpture at the Center. Yale Center for British Art Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30) 500 https://britishart.yale.edu/node/647 300054766 exhibition Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art Yale Center for British Art Virginia Museum of Fine Arts ycba_actor_1286 http://vocab.getty.edu/ulan/500310718 http://www.wikidata.org/entity/Q4013975 https://viaf.org/viaf/148748621 https://n2t.net/ark:/99166/w6991x8v http://id.loc.gov/authorities/names/n79046025 2189 Virginia Museum of Fine Arts 0 0 300311675 Borrower 2007-07-11 - 2007-09-30 2007-07-11 2007-09-30 Virginia Museum of Fine Arts ycba_actor_1286 http://id.loc.gov/authorities/names/n79046025 http://vocab.getty.edu/ulan/500310718 http://www.wikidata.org/entity/Q4013975 https://n2t.net/ark:/99166/w6991x8v https://viaf.org/viaf/148748621 Virginia Museum of Fine Arts 300435424 Great British Watercolors brought together eighty-eight outstanding works in the medium from the Paul Mellon Collection at the Center, including masterpieces by J. M. W. Turner, John Constable, William Blake, Paul Sandby, John Robert Cozens, Thomas Girtin, Thomas Gainsborough, and others. The exhibition was organized as part of the 2007 celebrations commemorating both the Center’s thirtieth anniversary and the centenary of the institution’s founder, Paul Mellon, one of the greatest cultural philanthropists of the twentieth century. In a period of a little over fifteen years, beginning in the early 1960s, Mr. Mellon assembled one of the world’s greatest collections of British drawings and watercolors. As part of his extensive collecting of British art, he purchased several distinguished private collections of British watercolors, enriching and expanding them with astute purchases reflecting his own taste. In his memoirs he praised “the beauty and freshness of English drawings and watercolors, their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” — — Great British Watercolors spanned more than a century of British artistic production, from the emergence of watercolor painting in the mid-eighteenth century to its flowering in the early nineteenth century. The exhibition highlighted the diversity of British watercolor painting, showing both landscapes and figurative works by some of the principal artists who worked in the medium. Paul Mellon’s collecting activity helped to revive the study of British watercolor. — — Venues — — Virginia Museum of Fine Arts, Richmond: — — July 11–September 30, 2007 — — The State Hermitage Museum, St. Petersburg, Russia: — — October 23, 2007–January 13, 2008 — — Yale Center for British Art: — — une 10–August 17, 2008 — — Credits — — Organized by the Center in association with the Virginia Museum of Fine Arts, Richmond, Great British Watercolors was curated by Scott Wilcox, Curator of Prints and Drawings at the Center; Mitchell Merling, Paul Mellon Curator and Head of the Department of European Art, Virginia Museum of Fine Arts; and Matthew Hargraves, Postdoctoral Research Associate in the Department of Paintings and Sculpture at the Center. Yale Center for British Art J.M.W. Turner (Museum Folkwang, 2001-09-14 - 2002-01-06) 71 300054766 exhibition J.M.W. Turner Yale Center for British Art Museum Folkwang ycba_actor_5851 http://vocab.getty.edu/ulan/500300157 http://www.wikidata.org/entity/Q125634 https://viaf.org/viaf/139412268 http://id.loc.gov/authorities/names/n50065358 Georg- W. Koltzsch Museum Folkwang 0 0 300311675 Borrower 2001-09-14 - 2002-01-06 2001-09-14 2002-01-06 Museum Folkwang ycba_actor_5851 http://id.loc.gov/authorities/names/n50065358 http://vocab.getty.edu/ulan/500300157 http://www.wikidata.org/entity/Q125634 https://viaf.org/viaf/139412268 Museum Folkwang J.M.W. Turner (Kunsthaus Zurich, 2002-02-26 - 2002-05-26) 71 300054766 exhibition J.M.W. Turner Yale Center for British Art Kunsthaus Zurich ycba_actor_6209 http://vocab.getty.edu/ulan/500245760 http://www.wikidata.org/entity/Q685038 https://viaf.org/viaf/148397865 http://id.loc.gov/authorities/names/n80103756 Sabina Nanny Gerda Kram Registrar Kunsthaus Zurich 0 0 300311675 Borrower 2002-02-26 - 2002-05-26 2002-02-26 2002-05-26 Kunsthaus Zurich ycba_actor_6209 http://id.loc.gov/authorities/names/n80103756 http://vocab.getty.edu/ulan/500245760 http://www.wikidata.org/entity/Q685038 https://viaf.org/viaf/148397865 Kunsthaus Zurich Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05) 576 300054766 exhibition Translations - Turner and Printmaking Yale Center for British Art Yale Center for British Art ycba_actor_1281 https://www.wikidata.org/wiki/Q6352575 http://vocab.getty.edu/ulan/500303557 https://viaf.org/viaf/155449049 http://id.loc.gov/authorities/names/n77005277 201 BAC YCBA Yale Center for British Art British Art Center 1977 0 63 Organizer 1993-09-29 - 1993-12-05 1993-09-29 1993-12-05 Yale Center for British Art ycba_actor_1281 http://id.loc.gov/authorities/names/n77005277 http://vocab.getty.edu/ulan/500303557 https://viaf.org/viaf/155449049 https://www.wikidata.org/wiki/Q6352575 Yale Center for British Art JMW Turner, Cologne and the Rhine (Wallraff-Richartz-Museum, 1980-10-09 - 1980-11-30) 300 300054766 exhibition JMW Turner, Cologne and the Rhine Yale Center for British Art Wallraff-Richartz-Museum ycba_actor_7134 http://vocab.getty.edu/ulan/500305277 Wallraff-Richartz-Museum 0 0 300311675 Borrower 1980-10-09 - 1980-11-30 1980-10-09 1980-11-30 Wallraff-Richartz-Museum ycba_actor_7134 http://vocab.getty.edu/ulan/500305277 Wallraff-Richartz-Museum 5484 9935636893408651 3563689 NJ18 .T85 L44 1993 (YCBA) 29346160 5051 300054686 publication event Eric M. Lee, ^Translations : Turner and printmaking^, Yale Center for British Art, New Haven, 1993, p. 39, no. 156, NJ18 .T85 L44 1993 (YCBA) Yale Center for British Art Eric M. Lee ycba_actor_14831 Lee Eric M. 300025492 Author Yale Center for British Art, founded 1977 ycba_actor_1281 201 http://id.loc.gov/authorities/names/n77005277 http://vocab.getty.edu/ulan/500303557 https://viaf.org/viaf/155449049 https://www.wikidata.org/wiki/Q6352575 Yale Center for British Art 300025574 Publisher 1993 1993 1993 New Haven 5484 995797193408651 579719 NJ18 .T85 B67 +Oversize (YCBA) 38665210 4918 300054686 publication event Joseph Mallord William Turner, ^J. M. William Turner : Koln und der Rhein : Aquarelle, Zeichnungen, Skizzenbucher, Stiche, Wallraf-Richartz-Museum, 11. October bis 30. November 1980^, Auf Deutsch, Cologne, 1980, p. 49, no. 8, NJ18 .T85 B67 +Oversize (YCBA) Yale Center for British Art Joseph Mallord William Turner, 1775–1851, British born in London, England,1775; active in England; died in London, England, 1851 ycba_actor_21 0061L0968 12151034 1548 35751158 68543573 a23620250 ADV10183223 http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX865570 http://d-nb.info/gnd/11862475X http://en.wikipedia.org/wiki/J._M._W._Turner http://id.loc.gov/authorities/names/n79060712 http://id.ndl.go.jp/auth/ndlna/00459271 http://isni-url.oclc.nl/isni/0000000121454990 http://libris.kb.se/resource/auth/277878 http://viaf.org/viaf/100900492 http://vocab.getty.edu/ulan/500026846 http://www.idref.fr/027332446/id http://www.oxforddnb.com/index/27/101027854/ https://n2t.net/ark:/99166/w6057d6v https://www.wikidata.org/wiki/Q159758 jn20000701851 LNC10-000157400 n97088094 vtls000164461 vtls000205886 Turner Joseph Mallord William 300025492 Author Auf Deutsch ycba_actor_14412 Auf Deutsch 300025574 Publisher 1980 1980 1980 Cologne 5484 9948446913408651 4844691 NJ18 T85 W57515 4840082 4917 300054686 publication event ^William Turner : licht und farbe : eine Ausstellung in Zusammenarbeit mit Tate^, SMB-DuMont, Cologne, 2001, pp. 121, 299, no. 50, NJ18 T85 W57515 Yale Center for British Art SMB-DuMont ycba_actor_8752 SMB-DuMont 300025574 Publisher 2001 2001 2001 Cologne 5484 992079583408651 207958 NJ18 T85 +W577 OVERSIZE (YCBA) 5580881 1535 300054686 publication event Andrew Wilton, ^The life and work of J.M.W. Turner^, Academy Editions, London, 1979, p. 376, no. 662, NJ18 T85 +W577 OVERSIZE (YCBA) Yale Center for British Art Andrew Wilton ycba_actor_1892 Wilton Andrew 300025492 Author Academy Editions ycba_actor_8657 Academy Editions 300025574 Publisher 1979 1979 1979 London 5484 9978423063408651 7842306 ND1928 .Y35 2007 (LC)+ Oversize (YCBA) 71833360 4877 300054686 publication event Yale Center for British Art, ^Great British watercolors : from the Paul Mellon Collection^, Yale University Press, New Haven, 2007, pp. 108-109, no. 46, ND1928 .Y35 2007 (LC)+ Oversize (YCBA) Yale Center for British Art Yale Center for British Art, founded 1977 ycba_actor_1281 201 http://id.loc.gov/authorities/names/n77005277 http://vocab.getty.edu/ulan/500303557 https://viaf.org/viaf/155449049 https://www.wikidata.org/wiki/Q6352575 Yale Center for British Art 300025492 Author Matthew Hargraves ycba_actor_7112 Hargraves Matthew 300025492 Author Scott Wilcox ycba_actor_1252 Wilcox Scott 300025492 Author Yale University Press ycba_actor_7029 Yale University Press 300025574 Publisher 2007 2007 2007 New Haven 5484 300157782 acquisition Yale Center for British Art ycba_actor_1281 YCBA BAC Yale Center for British Art British Art Center 1977 0 300203630 Owner 1977-01-01 1977-01-01 1977-01-01 300138913 gift In 1817 Turner left England for his first tour of the Continent since 1802. It was a trip that would set the pattern for the rest of his career. Andernach belongs to a set of fifty watercolors worked up from the pencil sketches made along the Rhine in Germany. According to legend, Turner arrived at Farnley Hall to see his friend and patron Walter Fawkes on his return home in the fall of 1817. "Before he had even taken off his great-coat he produced these drawings rolled up slovenly and, anyhow, from his breast pocket." Walter Fawkes was suitably impressed and purchased the entire set of Rhine drawings on the spot for £500, a handsome reward for a couple of months' touring. --- --- Gallery label for Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17) 5484 300048722 Gallery label 2008-06-24 Walter Fawkes remained a loyal friend and patron to Turner. In 1817 Turner left England for his first tour ofthe Continent since 1802 and the first ever entirely alone. It was a trip that would set the pattern for the rest of his career. Like all Turner's touring, he chose a conventional destination: the Rhine, with a detour to see the battlefield of Waterloo. Both Waterloo and the Rhine were highly topical locations, not least because Byron had described both in Canto III of his sensational Childe Harold's Pilgrimage. Turner purchased a copy of Charles Campbell's Traveller's Complete Guide through Belgium, Holland, and Germany (1815) before setting out, as well as three sketchbooks of varying sizes in which to make his studies. Andernach belongs to a set of fifty watercolors worked up from the pencil sketches made en route through Germany. --- --- According to legend, Turner arrived at Farnley Hall to see Fawkes on his return in the fall of 1817: "Before he had even taken off his great-coat he produced these drawings rolled up slovenly and, anyhow, from his breast pocket." This carefully staged piece of theatrics reinforced Turner's frequent dramatization of painting, in this case rapidly producing masterful works with apparent carelessness. From 1798 on he had been retouching his exhibits at the Roval Academy during varnishing days, prior to the public opening, and dazzling his fellow exhibitors with his ability to transform his works with a few strokes of the brush. When Fawkes's son watched him make a rapid watercolor in 1818, he described the image appearing "as if by magic" from the chaotic scratches and marks that Turner made on the paper. Walter Fawkes was suitably impressed and purchased the entire set of Rhine drawings on the spot for £500, a handsome reward for a couple of months touring. The set stayed in the Fawkes family collection until 1890, when it was broken up and the drawings scattered. --- --- From reading the Campbell guidebook, Turner knew that at Andernach, "the streets are narrow, badly paved and irregular, and the houses of all descriptions. Andernach is, however, particularly interesting to the lover of antiquities." Indeed, in this view, Turner captured the town in a way similar to that described by Campbell when he talked of the "somber gates, the towers and pinnacles of Andernach." Andernach and the other works in the set, however, were unlikely to have been worked on the spot in Germany. Turner spent the interval between arriving back in England and reaching Farley working on a commission at Raby Castle in County Durham. It is likely that he worked on the watercolors from the sketchbooks then, using the kinds of techniques that Fawkes's son wondered at. The papers themselves were made from cutting up larger sheets into appropriate sizes, sizes which hint at the on-the-spot sketch. Each was tinted in gray before Turner began work, reversing the light to dark method of watercolor and working instead from dark to light in the manner of oil painting. The copious amount of gouache in the series was the necessary result of starting from such a dark ground. Working from dark to light is also the method of engraving, and a set of views of Rhineland scenery would have been a commercially viable proposition in the aftermath of Waterloo. Turner was negotiating with W. B. Cooke on a thirty-six-plate publication of Rhine views in early 1819 to be made from a separate series of Rhine drawings. This scheme foundered when Rudolph Ackermann released an illustrated English edition of Baron Johann von Gerning's Picturesque Tour along the Rhine in six parts between 1819 and 1820. Although Turner and Cooke abandoned their scheme, there was compensation for Turner from his patron, Fawkes. In May and June of 1819, Fawkes exhibited his collection of English watercolors to the public at his London home at Grosvenor Place. More than sixty works by Turner were shown alongside other artists such as "Warwick" Smith. The show presented Turner as the leading watercolorist of the age at a time when his watercolors were otherwise hidden from public view. He could depart for a tour of Italy in July 1819, satisfied that he had eclipsed the artists he had first studied as a teenager and established himself as the preeminent figure in the current generation of watercolorists. --- --- Matthew Hargraves --- --- Hargraves, Matthew, and Scott Wilcox. Great British Watercolors: from the Paul Mellon collection. New Haven: Yale Center for British Art, 2007, pp.106-109 , no. 46 5484 300111999 Published catalog entry ycba_actor_7112 Matthew Hargraves 300025492 Author 2007 300015636 ycba_term_149705 landscape 300015571 ycba_term_32654 cityscape 300008057 ycba_term_19010 ruins 300008795 ycba_term_17557 mountains 300132410 ycba_term_17587 trees 300002469 ycba_term_15703 walls 300343840 ycba_term_2036248 clouds ycba_term_2036212 architectural subject Germany 7000084 ycba_term_1852450 Germany 51.5000, 10.5000 Rheinland-Pfalz 7003682 ycba_term_1858369 Rheinland-Pfalz 50.0000, 7.0000 Koblenz 1003182 ycba_term_1858373 Koblenz 50.1660, 7.2500 Andernach 7005959 ycba_term_1858507 Andernach 50.4330, 7.4000 Europe 1000003 ycba_term_1816338 Europe 56.2000, 15.0160 Eric M. Lee, Translations : Turner and printmaking, Yale Center for British Art, New Haven, 1993, p. 39, no. 156, NJ18 .T85 L44 1993 (YCBA) 9935636893408651 3563689 NJ18 .T85 L44 1993 (YCBA) 29346160 5051 related to Joseph Mallord William Turner, J. M. William Turner : Koln und der Rhein : Aquarelle, Zeichnungen, Skizzenbucher, Stiche, Wallraf-Richartz-Museum, 11. October bis 30. November 1980, Auf Deutsch, Cologne, 1980, p. 49, no. 8, NJ18 .T85 B67 +Oversize (YCBA) 995797193408651 579719 NJ18 .T85 B67 +Oversize (YCBA) 38665210 4918 related to William Turner : licht und farbe : eine Ausstellung in Zusammenarbeit mit Tate, SMB-DuMont, Cologne, 2001, pp. 121, 299, no. 50, NJ18 T85 W57515 9948446913408651 4844691 NJ18 T85 W57515 4840082 4917 related to Andrew Wilton, The life and work of J.M.W. Turner, Academy Editions, London, 1979, p. 376, no. 662, NJ18 T85 +W577 OVERSIZE (YCBA) 992079583408651 207958 NJ18 T85 +W577 OVERSIZE (YCBA) 5580881 1535 related to Yale Center for British Art, Great British watercolors : from the Paul Mellon Collection, Yale University Press, New Haven, 2007, pp. 108-109, no. 46, ND1928 .Y35 2007 (LC)+ Oversize (YCBA) 9978423063408651 7842306 ND1928 .Y35 2007 (LC)+ Oversize (YCBA) 71833360 4877 related to 300055603 500303557 Yale Center for British Art https://britishart.yale.edu Yale Center for British Art, Paul Mellon Collection 300055598 Public Domain 300435434 https://creativecommons.org/publicdomain/zero/1.0/ 5484 300133025 Item 500303557 Yale Center for British Art http://britishart.yale.edu https://collections.britishart.yale.edu/catalog/tms:5484 oai:tms.ycba.yale.edu:5484 https://manifests.collections.yale.edu/v2/ycba/obj/5484 https://manifests.collections.yale.edu/ycba/obj/5484 IIIF manifest Yale Center for British Art 500303557 Yale Center for British Art